로렌스의 시에 나타난 성서의 해체 - 창조와 타락의 모티브를 중심으로
The Deconstruction of the Bible in Lawrence`s Poetry - Focused on the Theme of Creation and Fall
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Abstract
It is a commonplace of modern literary criticism that all writing is intertextual, that every text involves the absorption and transformation of another text. It is equally a commonplace of Lawrence criticism that the Bible is the text which his own work most obviously and most often reworks. His writing, at all stages of his career, contains frequent references to biblical characters and symbols while, even when not invoking any particular passage from the Bible, his language is permeated by the rhythms of it.Lawrence thought that conventional christianity and its moralistic reading of the Hebrew Bible failed to appreciate the celebration of the flesh which pervades Genesis. His poetry attempts to recover from Genesis a celebration of the flesh, too readily subordinated to the spirit or word in the Christian tradition. For him, the question of how to read the Bible was a key issue. His relationship to postmodern reading of the Bible arises from this fact.Harold Bloom is a theorist who can shed light on Lawrence's use of the Bible. Bloom's theory portraits the relationship of modern poets to God, the poetic father who first awakened creativity. According to his description, the relationship between them is the battle between strong equals, father and son as mighty opposites, Laius and Oedipus at the crossroads. The aim of this thesis is to pay close attention to the details of this struggle of creation.
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