『날개 돋친 뱀』과 로렌스의 양가적 인종의식
The Plumed Serpent and Racism
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Abstract
In The Plumed Serpent Lawrence shows various attitudes toward the indigenous people in Mexico through which we can see how his racism works. Vaguely thinking them ignorant and violent, Kate's first response to the people is fear and arrogance of the privileged Whites. This preconception is gradually changed into approval of their own raisons d'etre. Living with Indians, Juana's family, she begins to understand much of their way of living and shed her previous concept of the third world people. But the perception of her racial bias is not complete and she reveals her racism sometimes. Ramon's Quetzalcoatl movement is Lawrence's another searching for what would be complement to the Western civilization. But the seeking the blood consciousness in the dark people seems to fail. Detailed daily life of the Indians converted from Christianity to Quetzalcoatl is rarely given and only in a mass is shown the emotional effect of the new religion. Though Ramon appears another European conqueror, the nationalistic vein in the movement suggests Lawrence's strong opposition to colonialism. The resurrecting the Mexican old god is one of the methods of protecting the oppressed people in the ex-colonialized world. Through this imaginative novel Lawrence succeeded in criticizing and resisting to racism to a certain degree.
참고문헌 (20)
- 이경원, "탈식민주의의 계보와 정체성(탈식민주의의 이론과 쟁점)", pp.23~58 (2004), 서울: 문학과 지성사
- 파농, 프란츠, "검은 피부, 하얀 가면" (1998), 서울: 인간사랑
- Bell, Michael, "D. H. Lawrence : Language and Being" (1992), Cambridge: Cambridge UP
- Carpenter, Rebecca, "Bottom Dog Insolence and The Harem Mentality: Race and Gender in The Plumed Serpent", D. H. Lawrence Review, 25, pp.119~129 (1993)
- Cavitch, David, "D. H. Lawrence and the New World" (1971), London: Oxford UP
- Cowan, James C, "D. H. Lawrence's American Journey" (1970), Cleveland: Case Western Reserve University
- Dussel, Enrique, "The Invention of the America : Eclipse of “the Other” and the Myth of Modernity" (1995), N.Y.: Continuum
- Fjågesund, Peter, "The Apocalyptic World of D. H. Lawrence" (1991), London: Norwegian UP
- Hough, Graham, "The Dark Sun: A Study of D. H. Lawrence" (1973), New York: Octagon
- Kinkead-Weekes, Mark, "Decolonizing Imagination: Lawrence in the 1920s(The Cambridge Companion to D. H. Lawrence)", pp.67~85 (2001), Cambridge: Cambridge UP
- Lawrence, D. H., "Mornings in Mexico and Etruscan Places" (1960), Harmondsworth: Penguin
- "The Plumed Serpent" (1974), London: Heinemann
- Inglis, A. A. H., "D. H. Lawrence: A Selection From Phoenix" (1979), Harmondsworth: Penguin
- Leavis, F. R., "Thought, Words and Creativity: Art and Thought in Lawrence" (1976), London: Chatto & Windus
- Pritchard, R. E., "D. H. Lawrence: The Body of Darkness" (1971), London: Hutchinson University Library
- Rossman, Charles, "D. H. Lawrence and Mexico(D. H. Lawrence: A Centenary Consideration)", pp.180~209 (1985), N.Y.: Cornell University
- Storch, Margaret, "But Not the America of the Whites: Lawrence's Pursuit of the True Primitive", D. H. Lawrence Review, 25, pp.48~62 (1993)
- Templeton, Wayne, "Indians and an Englishman: Lawrence in the American Southwest", Lawrence Review, 25, pp.14~34 (1993)
- Vivas, Eliseo, "D. H. Lawrence: The Failure and the Triumph of Art" (1960), Bloomington: Indiana UP
- Worthen, John, "D. H. Lawrence and the Idea of the Novel" (1979), London: Macmillan
