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D. H. 로렌스 소설의 숲과 자아변화

The Forest and Change of Self in D.H.Lawrence’s Novels

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This paper is intended to examine the change of characteristics of major characters’ selves in D.H. Lawrence’s novels while they are in the forest or trees. The forest or the tree is a source of creativity, wisdom, imagination, and inspiration in Lawrence’s novels. A man and a woman in the novel will be ease, peaceful, comfortable, vital, and rich in his or her feeling and emotion when he or she is present in trees and the forest. However trees and forest can paly a negative, undesirable, destructive force and effect to people as well. So they have double, and ambivalent values. Lawrence keeps abundant, keen senses, full recognition, and enough knowledges about effects and influences of trees and forest. The writer’s description of trees and forest in his novels must be given notice and attention for understanding of Lawrence’s novels. The paper will deal with Lawrence’s (short) novels such as “The Shadow in the Rose Garden,” “The Shades of Spring,” “Sun,” Sons and Lovers, The Rainbow, Women in Love, Lady Chatterley’s Lover, Kangaroo, The Boy in the Bush. For the first seven novels, the creative, positive effects of the forest are touched, but for the last two novels, negative, destructive effects are touched in terms of the so-called Australian bush dark and strange, and mysterious. In addition, this paper will touch on Lawrence’s emphasis of place and space. Lawrence’s talk and discussion of ‘the spirit of place’ are critical because it exercises an important role and influence in his literature. ‘The spirit of place’ is the title of the foreword of D.H. Lawrence’s Studies in Classic American Literature. It is a very important topic in Lawrence’s literary discussion. His talk about the old Indian wisdom of the forest, and about German Hercynian Wood in connection with old Roman military forces’ invasion into Germany appears in Fantasia of the Unconscious. Place’s soul or spirit in the forest and trees which Lawrence calls ‘the spirit of place’ is examined in the paper for the more exact, right understanding of his novels.

Abstract

This paper is intended to examine the change of characteristics of major characters’ selves in D.H. Lawrence’s novels while they are in the forest or trees. The forest or the tree is a source of creativity, wisdom, imagination, and inspiration in Lawrence’s novels. A man and a woman in the novel will be ease, peaceful, comfortable, vital, and rich in his or her feeling and emotion when he or she is present in trees and the forest. However trees and forest can paly a negative, undesirable, destructive force and effect to people as well. So they have double, and ambivalent values. Lawrence keeps abundant, keen senses, full recognition, and enough knowledges about effects and influences of trees and forest. The writer’s description of trees and forest in his novels must be given notice and attention for understanding of Lawrence’s novels. The paper will deal with Lawrence’s (short) novels such as “The Shadow in the Rose Garden,” “The Shades of Spring,” “Sun,” Sons and Lovers, The Rainbow, Women in Love, Lady Chatterley’s Lover, Kangaroo, The Boy in the Bush. For the first seven novels, the creative, positive effects of the forest are touched, but for the last two novels, negative, destructive effects are touched in terms of the so-called Australian bush dark and strange, and mysterious. In addition, this paper will touch on Lawrence’s emphasis of place and space. Lawrence’s talk and discussion of ‘the spirit of place’ are critical because it exercises an important role and influence in his literature. ‘The spirit of place’ is the title of the foreword of D.H. Lawrence’s Studies in Classic American Literature. It is a very important topic in Lawrence’s literary discussion. His talk about the old Indian wisdom of the forest, and about German Hercynian Wood in connection with old Roman military forces’ invasion into Germany appears in Fantasia of the Unconscious. Place’s soul or spirit in the forest and trees which Lawrence calls ‘the spirit of place’ is examined in the paper for the more exact, right understanding of his novels.

참고문헌 (25)

  1. 김경현, "D. H. 로렌스 소설의 생태학적 연구", 박사, 영어영문학과 영문학전공, pp.2012
  2. 질 들뢰즈, "앙띠 오이디푸스", 민음사
  3. Beal, Anthony, "D.H.Lawrence" (1964), Oliver and Boyd
  4. Bell, Michael, "Primitivism" (1972), Methuen
  5. Charney, Maurice, "Sexual Fiction" (1981), Methuen
  6. Ebbatson, Roger, "Lawrence and the Nature Tradition" (1980), Harvester P
  7. Friend, Roland, "Introduction, In Lady Chatterley’s Lover by D.H. Lawrence: The Complete and Unexpurgated 1928 Orioli Edition" (1983), Bantam
  8. Holderness, Graham, "Who’s Who in D.H. Lawrence" (1976), Elm Tree
  9. Lawrence, D.H., "Fantasia of the Unconscious" (1977), Penguin
  10. Lawrence, D. H., "Kangaroo" (1976), Penguin
  11. Lawrence, D. H., "Lady Chatterley’s Lover" (1974), Penguin
  12. Lawrence, D.H., "Sons and Lovers" (1970), Penguin
  13. Lawrence, D.H., "Studies in Classic American Literature" (1977), Penguin
  14. Lawrence, D.H., "Sun, In D.H. Lawrence: The Woman Who Rode Away" (1975), Penguin
  15. Lawrence, D.H., "The Rainbow" (1977), Penguin
  16. Lawrence, D.H., "The Shades of Spring, In D.H. Lawrence: The Prussian Officer and Other Stories" (1976), Penguin
  17. Lawrence, D.H., "The Shadow in the Rose Garden, In D.H. Lawrence: The Prussian Officer and Other Stories" (1976), Penguin
  18. Lawrence, D.H., "Women in Love" (1979), Penguin
  19. Lawrence, D.H., "The Boy in the Bush" (1983), Penguin
  20. Merchant, Carolyn, "Radical Ecology" (1992), Routtledge
  21. Parrinder Geoffrey, "The Wisdom of the Forest" (1976), Sheldon
  22. Seelow, David, "Radical Modernism and Sexuality: Freud, Reich, D.H. Lawrence & Beyond" (2005), Palgrave
  23. Tagore, Rabindranath, "Creativity" (1922), Macmillan
  24. Tehranian, Katharine Kia, "Modernity, Space, and Power" (1995), Hampton
  25. Tuan, Yi-Fu, "Space and Place: The Perspective of Experience" (1977), U of Minnesota P

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