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가사 양식의 전통 유형과 계승방향

The Traditional Patterns for the Style of Gasa and the Direction in Which it was Succeeded to

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키워드

주제분류한국어와문학

초록

To examine the question of modern succession to the style of Gasa, this thesis aimed to explore its stylistic identity extending over the various levels such as its form, genre, style and pattern and establish the possibility of its being connected to modern Gasa and the desirable direction based on it. In the process, I knew that a literary style called Gasa depended on with what degree of power to influence a message to convey is effectively described making a literary impression on us and that various descriptive strategies and literary devices and techniques according to it were used. By doing so, I also explored that it did not convey a message in a common and stiff prose style but provided it with sentimental and poetic power to influence not by conveying it simply but by conveying it 'passionately' through the metrical device of tetrameter with the rhythm our people is most familiar with. Examining pattern by pattern the direction in which the style of Gasa was succeeded to in modern times based on its feature, I gauged its new application and potential possibility as modern Gasa.

Abstract

To examine the question of modern succession to the style of Gasa, this thesis aimed to explore its stylistic identity extending over the various levels such as its form, genre, style and pattern and establish the possibility of its being connected to modern Gasa and the desirable direction based on it. In the process, I knew that a literary style called Gasa depended on with what degree of power to influence a message to convey is effectively described making a literary impression on us and that various descriptive strategies and literary devices and techniques according to it were used. By doing so, I also explored that it did not convey a message in a common and stiff prose style but provided it with sentimental and poetic power to influence not by conveying it simply but by conveying it 'passionately' through the metrical device of tetrameter with the rhythm our people is most familiar with. Examining pattern by pattern the direction in which the style of Gasa was succeeded to in modern times based on its feature, I gauged its new application and potential possibility as modern Gasa.

참고문헌 (12)

  1. 김대행, "가사의 종언과 문학의 본질 In: 고시가연구", pp.1~5 (1993), 전남고시가연구회
  2. 김대행, "가사와 태도의 시학", 고시가연구, (21), pp.27~56 (2008), 한국고시가문학회
  3. 김신중, "가사의 형태적 변화와 현대적 수용", 고시가연구, (21), pp.109~129 (2008), 한국고시가문학회
  4. 김석회, "복선화음가 이본의 계열상과 그 여성사적 의미", 한국시가연구, (18), pp.299~345 (2005), 한국시가학회
  5. 김종진, "<서왕가> 전승의 계보학과 구술성의 층위", 한국시가연구, 18(18), pp.77~111 (2005), 한국시가학회
  6. 김학성, "가사의 정체성과 담론 특성 In: 한국고전시가의 정체성", pp.224~237 (2002), 성균관대 대동문화연구원
  7. 김학성, "가사의 장르적 특성과 현대사회의 존재 의의", 고시가연구, pp.154~160 (1992), 한국고시가문학회
  8. 박경주, "한문가요연구", pp.219~ (1998), 태학사
  9. 박영주, "기행가사의 진술방식과 문학적 형상화 양상", 한국시가연구, (18), pp.219~239 (2005), 한국시가학회
  10. 성무경, "가사의 존재양식 연구", 박사, pp.1997
  11. 임재욱, "가사의 형태와 향유방식 변화의 관련양상 연구", 석사, pp.1998
  12. 정병헌, "가사 교육의 현황과 창작의 필요성", 고시가연구, (21), pp.295~318 (2008), 한국고시가문학회

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