가사의 형태적 변화와 현대적 수용
The Formal Variation and Modern Acceptance of Ga-sa(歌辭)
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The most dominant difference between Ga-sa and the others is the external form. So, I inquired into the modern acceptance of Ga-sa in connection with its external form. Ga-sa have repeated the change every moment because it is historical. The external form of Ga-sa is classified into four type and I will mention it first. Next, boon-ryeon(分聯) compositon, gyeol-sa(結辭) form, and the method of enjoyment will be revealed in conjunction with acceptance at the present time of Ga-sa. In result, the writing model of modern Ga-sa will be two models ; the successive type that has gyeol-sa form ; the non-successive type that has boon-ryeon composition. However, this writing doesn't include the whole aspect of the modern acceptance of Ga-sa. It includes only the partial aspect of Ga-sa, the external form, and the subject about internal description is excluded.
Abstract
The most dominant difference between Ga-sa and the others is the external form. So, I inquired into the modern acceptance of Ga-sa in connection with its external form. Ga-sa have repeated the change every moment because it is historical. The external form of Ga-sa is classified into four type and I will mention it first. Next, boon-ryeon(分聯) compositon, gyeol-sa(結辭) form, and the method of enjoyment will be revealed in conjunction with acceptance at the present time of Ga-sa. In result, the writing model of modern Ga-sa will be two models ; the successive type that has gyeol-sa form ; the non-successive type that has boon-ryeon composition. However, this writing doesn't include the whole aspect of the modern acceptance of Ga-sa. It includes only the partial aspect of Ga-sa, the external form, and the subject about internal description is excluded.
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