셰익스피어의 이미지 타파와 여성의 의학 정치:『겨울 이야기』와 『끝이 좋으면 다 좋다』를 중심으로
Shakespeare’s Image-Breaking and Woman’s Medical Politics in The Winter’s Tale and All’s Well that Ends Well
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In The Winter’s Tale (1611) and All’s Well That Ends Well (1623), there are two wise and ambitious women who overcome the conventional idea of womanhood. Paulina in Winter’s Tale is a strong woman who stands courageously against Leontes, king of Sicily, who drives his honest wife Hermione to death. At the end of the play, she resurrects Queen Hermione and gives this play a happy ending. She is thus a symbol of living morality with the capacity for playwright and director. Similarly, Helena is a smart female physician who heals the sickness of the French king, whom nobody else can heal. She unfolds her own techniques to fulfill her desire and leads the story. Through these two women, Shakespeare shows new images of women, presenting harmony and healing on the stage.
Abstract
In The Winter’s Tale (1611) and All’s Well That Ends Well (1623), there are two wise and ambitious women who overcome the conventional idea of womanhood. Paulina in Winter’s Tale is a strong woman who stands courageously against Leontes, king of Sicily, who drives his honest wife Hermione to death. At the end of the play, she resurrects Queen Hermione and gives this play a happy ending. She is thus a symbol of living morality with the capacity for playwright and director. Similarly, Helena is a smart female physician who heals the sickness of the French king, whom nobody else can heal. She unfolds her own techniques to fulfill her desire and leads the story. Through these two women, Shakespeare shows new images of women, presenting harmony and healing on the stage.
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