기암 정홍명의 두보 시 수용과 변주 양상

Abstract

Jung Hong-myeong is a writer representing Honam(湖南). He had difficulties in his official life because of his father, Jeong-cheol(鄭澈). So he returned to his hometown, lived and concentrated on his studies. He captured his underprivileged life in his works, and solved it through the thought of the Zhuagzi(莊子)'s reasons or the active use of Dubo(杜甫)'s prototypes. So far, no previous studies have revealed the acceptance pattern of Dubo. However, looking at the many references related to Jung Hong-myeong, it is easy to see that Dubo is one way to understand Jung Hong-myeong's work. Therefore, in this paper, we briefly reviewed the acceptance patterns of Dubo's prototypes. First, we looked at the partial acceptance of Dubo's prototype. The acceptance and variation patterns were examined through similar poems, ceremonies, or works reflecting the conscripted scriptures. Jung Hong-myeong not only accepted Dubo's prototype, but also opened his own poetry world by changing the direction of Dubo's prototype. Next, the overall acceptance and variation of Dubo's prototypes were examined. Jung Hong-myeong actively accepted Dubo's prototypes by composing works with the same or similar titles to Dubo's prototypes. At the same time, he clearly captured his own voice that was different from Dubo. In this thesis, partial or total acceptance and variation have been briefly examined, but it cannot be denied that there is a dubo at the starting point of understanding Jung Hong-myeong's work with this tendency. It is hoped that this thesis will serve as a starting point for a three-dimensional approach to Jung Hong-myeong's work.