‘假山’ 소재 작품에 나타난 조선조 문인의 價値論的 玩賞 態度
The appreciation attitude on a 'Gasan[假山]' subject matter work of Joseon literary men
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This thesis aims at consideration the appreciation attitude on a 'Gasan[假山]' subject matter work of Joseon literary men. As a result, I deduce some conclusions. In an appreciation which standing on the basis of the moral value, 'Gasan[假山]' was recognized as a medium of self-culture. Joseon literary men' appreciation attitude were not stopped in an external description. They master of Gasan's various attribute and wish to reach on a holy mans' state. But Gasan's reality which was faced by Joseon literary men is not made with natural but it was an artificially created mountain. They anguish the true and the false. So, some insist that the distinction of the true and the false, another insist the paradoxic of the true and the false, and the other insist self-culture and the original nature's recovery irrespective of the true and the false. Some literary men show an aesthetic appreciation attitude which focused on the Gasan's own beauty. They recognized Gasan as a aesthetic appreciation item which made of nature or human skill. So, they accept Gasan as a their own aestheticism, sightseeing gusto's promote, and an appetite for writing's irritant.
Abstract
This thesis aims at consideration the appreciation attitude on a 'Gasan[假山]' subject matter work of Joseon literary men. As a result, I deduce some conclusions. In an appreciation which standing on the basis of the moral value, 'Gasan[假山]' was recognized as a medium of self-culture. Joseon literary men' appreciation attitude were not stopped in an external description. They master of Gasan's various attribute and wish to reach on a holy mans' state. But Gasan's reality which was faced by Joseon literary men is not made with natural but it was an artificially created mountain. They anguish the true and the false. So, some insist that the distinction of the true and the false, another insist the paradoxic of the true and the false, and the other insist self-culture and the original nature's recovery irrespective of the true and the false. Some literary men show an aesthetic appreciation attitude which focused on the Gasan's own beauty. They recognized Gasan as a aesthetic appreciation item which made of nature or human skill. So, they accept Gasan as a their own aestheticism, sightseeing gusto's promote, and an appetite for writing's irritant.
참고문헌 (27)
- "高麗史", ~
- "近思錄", ~
- "論語", ~
- "新增東國輿地勝覽", ~
- 金守溫, "拭疣集"
- 柳道源, "蘆厓集"
- 朴長遠, "久堂集"
- 徐居正, "四佳集"
- 蘇洵, "嘉祐集"
- 宋時烈, "宋子大全"
- 安軸, "謹齋集"
- 吳道一, "西坡集"
- 柳得恭, "泠齋集"
- 尹愭, "無名子集"
- 李穡, "牧隱詩藁"
- 李裕元, "林下筆記"
- 李頤淳, "後溪集"
- 林昌澤, "崧岳集"
- 張維, "谿谷集"
- 鄭道傳, "三峰集"
- 趙昱, "龍門集"
- 崔岦, "簡易集"
- 韓愈, "韓昌黎集"
- 許穆, "記言, 別集"
- 이종묵, "조선시대 臥遊 文化 硏究", 진단학보, (98), pp.81~106 (2004), 진단학회
- 이지양, "일반논문: 조선 중기 성리학자의 山水 鑑賞 특징과 그 의미-旅軒 張顯光(1554~1637)의 <周王山錄>(1597)을 중심으로-", 고전문학연구, (29), pp.471~492 (2006), 한국고전문학회
- Marion Eggerrt, "산의 의미: 조선시대 遊記의 문화와 자연 in: The AEAS Symposium -Korea in Travel Writing", 성균관대 동아시아 학술원 BK21 동아시아 유교문화권 교육연구단 발표 요지집 (2005)
