雷淵 南有容의 문예활동과 ‘趣’의 구현 양상
The Noiyeon(雷淵) Namyouyong(南有容)'s Literary Activities & the Realization Phase of Chwi(趣)
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The objective of this study is searching the aspect of hobby enjoyment from kyounghwasejok(京華世族)-the nobilities who lived in Hanyang(Seoul)-in 18th century by looking into the realization of Noiyeon Namyouyong's literary activities and Chwi. His literay activity was performed in Jongam Assembly(鐘巖文會) and Dongwonajip(東園雅集). He released poonryu(風流)-the taste for the arts-and discussed the contemporary literature in Jongam Assembly. In addition, Dongwonajip was the field of tasteful literary activities, where he created poetry and appreciated antiques and paintings, burning incense and drinking some tea. The phase of Noiyeon's hobby enjoyment was to admire calligraphic works and to travel feeling and taking a pleasure in scenic beauty. He appreciated works on the basis of devoted attitude for calligraphic paintings and created them in person at times. He described a short length travel essay, Dongyousogi in his taste and it showed features of Sopumche(小品體)-on the style of literary sketch-essay. Through this effort, he tried to get out of own image, which was recognized as the literary officials of Kwangak(館閣) who were lack of characteristic writings.
Abstract
The objective of this study is searching the aspect of hobby enjoyment from kyounghwasejok(京華世族)-the nobilities who lived in Hanyang(Seoul)-in 18th century by looking into the realization of Noiyeon Namyouyong's literary activities and Chwi. His literay activity was performed in Jongam Assembly(鐘巖文會) and Dongwonajip(東園雅集). He released poonryu(風流)-the taste for the arts-and discussed the contemporary literature in Jongam Assembly. In addition, Dongwonajip was the field of tasteful literary activities, where he created poetry and appreciated antiques and paintings, burning incense and drinking some tea. The phase of Noiyeon's hobby enjoyment was to admire calligraphic works and to travel feeling and taking a pleasure in scenic beauty. He appreciated works on the basis of devoted attitude for calligraphic paintings and created them in person at times. He described a short length travel essay, Dongyousogi in his taste and it showed features of Sopumche(小品體)-on the style of literary sketch-essay. Through this effort, he tried to get out of own image, which was recognized as the literary officials of Kwangak(館閣) who were lack of characteristic writings.
참고문헌 (14)
- 金鍾秀, "夢梧集", ~
- 南公轍, "金陵集", ~
- 南有容, "雷淵集", ~
- 吳瑗, "月谷集", ~
- 兪彦鎬, "燕石", ~
- 李德懋, "국역 靑莊館全書", ~
- 李天輔, "晉菴集", ~
- 강명관, "조선시대 문학예술의 생성 공간" (1999), 소명출판
- 김윤조, "薑山 李書九의 生涯와 文學", 박사, pp.1991
- 신영주, "金陵 南公轍의 書畵에 대한 관심과 『書畵跋尾』", 동방한문학, (47), pp.93~120 (2011), 동방한문학회
- 안대회, "조선 후기 小品體 遊記의 연구", 대동문화연구, (79), pp.211~243 (2012), 대동문화연구원
- 이종묵, "조선의 문화 공간" (2006), 휴머니스트
- 정우봉, "조선후기 遊記의 글쓰기 및 향유방식의 변화", 한국한문학연구, (49), pp.101~136 (2012), 한국한문학회[DOI]
- 황정연, "조선시대 서화수장 연구", 박사, 미술사학, pp.2007
