鹿門 洪慶臣의 詩世界 연구

Abstract

In the 16th and 17th centuries of Joseon, Hong Gyeong-shin actively engaged with prominent writers of the time and members of the Chimryudae group(枕流臺詩社). Based on the creative spirit of "‘MoGo-Wihak(慕古爲學)," Hong Kyung-shin presented "Sang-woo(尙友)" and "Dok-dek(獨得)" as concrete methods of creation, calling them "Myo-beob(妙法)" and "Hyeon-ji(玄旨)." Hong Kyung-shin's tendency to admire the old creative tendencies confirmed in his creative logic was also reflected in his work, reflecting the specific aspects of contemporary literature that gradually transformed into the dominance of Dangsi-style(唐詩風) in a mixture of Songsi-style(宋詩風) and Dangsi-style. An example is the creation of Soegon-style(西崑體) and Yuisan-style(義山體) poems, a poetry creation style that shows a tendency to mainly follow Libaek's creative tendency, and a poem in which admiration for the world of Taoism beyond reality is detected. In addition, his creative ability can be confirmed by creating projections based on historical figures, creating prototypes of various styles that show his creative ability, Chosa-style long poems, and a number of musical poems. Hong, Gyeong-sin’s poems exemplify the trend of Dangsi-style, which emerged with the decline of the Gang-Seo poetry style, which was the center of the Joseon Dynasty in the 16th century. His poetry also shows the historical characteristics of the influence of the Dangsi-style of the Ming Dynasty. In this respect, his poetry can be evaluated as important in that it is a concrete example of realizing the changes in the Joseon poetry stage in the 16th and 17th centuries.