18~19세기 南人 詩壇의 시적 특징의 일면 -菊圃의 시맥과 상주지역의 洛江 船遊를 중심으로-

Abstract

This paper is a study of aspects of poetic characteristics found in Namin poetry from the 18th and 19th centuries. Gukpo of the 17th century Namin poetry circle formed a series of literary circles through current affairs and became a model for later generations of writers. The influence of his poetry and literary characteristics, centered on 『Poetry』, on the literary people around him is considerable. The literary characteristics of Geungi Namin continued through the 18th and 19th centuries, continuing the tradition through Geungi and Namin literary circles in Yeongnam. The Seonyu(船遊) literature of Nak river Beomwol(泛月), centered on Yeolunsa(悅雲社) and Nak river is a continuation of the poetry of Namin in the 17th century. It can be said to be a representative example of the period of the traditional context being set to the late 19th century. Nak river seonyu(船遊) held on the first full moon of July and the first full moon of October, had already become a long-standing custom in the Sangju region in the late 16th and 17th centuries. In addition to 『Yeonakmunhoerok』 through Yeonakmunhoe in May 1622, 『Imsulbeomwolrok』 by seonyu(船遊) ImSul-year(壬戌年), 『JukwooSa-anthology』 through Sokjukwoosa(續竹雨社) in the late 18th century, and 『Nakyucheop』 in the mid 19th century are all the results. As a practical response, some of the members of the council organized Gihaehapgye (1599) to overcome realistic problems after the Japanese invasion, founded Jonaewon and Donamseowon, and were active in putting the basic ideology of Taoism into practice. It lasted until the early part of the century. The poetry they created followed the onja(溫藉) and yooa(幽雅) of Gukpo poetry and expressed the poetic spirit of Kang Se-baek's ‘Poetry values nature’ and ‘Nature is the purity of human nature.’ Kang Se-ryun cited the gwansu(觀水) of 『Mencius』 and the gwansanjisul(觀山之術) of Siksan, explaining that the gwansujisul(觀水之術) is the flow of nature through the look at nature and the realization of conduction through it. The aesthetic tradition of boating literature is based on Confucian ideology to ultimately reach benevolence and realize Five Constant Virtues, and contains the implications of huemunboin(會文補仁) seongmu(繩武)palindrome and monk dance.