의궤에 나타난 춘앵전의 총체적 공연상황

Abstract

The aim of this study was to review Akjang, Chisa, Jeongmun, Uiju, Boksikdo, Jeongjaedo, Banchado and Jinhando of <Chunaengjeon> recorded in Uigye in relation to Akjang and Chisa per performance and also review Amuyeong of <Chunaengjeon> music and its description line in order to find value and meaning of <Chunaengjeong> in the performance program and to figure out the comprehensive performance situation. Chunaengjeon was firstly performed at the birth day of Queen Sunwon, the grandmother of King Heonjong, and it also performed at the birthday of Queen Sinjeong Jo, mother of King heonjong, Queen dowager Myeongheon Hong, the wife of King Heonjong for total 13 times. Accordingly, <Chunaengjeon> was dedicated to the core royal figures such as king’s parent and grandmother and became the top symbol of the festival of filial duty. According to Uiju, the narration line of Chunaengjeon was in series of three works including Geommu (5 times), Seonyurak (4 times) and Pogurak (3 times). It was in harmony with the royal dance in the form of play and shows static elegance of Chunaengjeon. In Akjang and Chisa, words on glass and liquor are noticeable. Uigwe of Mujajinjak, Gichukjinchan, Jeonghaejinchan, Sinchukjinchan and Iminjinyeon include light, cloud and spring in common, Uigwe of King Gojong Jeonghaejinjan, Sinchukjinchan and Imjinjinyeon praised dance and songs. From Mujanyeon to King Gojong, dance and songs were praised. While Mjjajinjak Uigwe, Gichukjinjak Uigwe and Musinjinchan Uigwe were the praise of liquor and nature, human emotion were expressed during the reign of King Gojong (7~9:00 AM Jinsi was the most frequent performance time). Changsa was called as a nickname Man, Chun, Ga, Rak, bong, Hwan, Hwa and Su for joy for 10,000 years, beauty as spring and peace and long-life. Chunaengjeon was performed as the core beauty in the festival from Mujanyeon for 199 years.