안민영과 흥선대원군 - 『금옥총부』를 중심으로 -

Abstract

Ahn Minyoung and the poetry that he edited have great value of understanding history of Sijo -a three-verse Korean poem- in 1800s. Gumokchongbu which contains only Ahn's works is closely connected with Hungsun Daewongun who was the power holder of the day. The support of Hungsun Daewongun had an effect on the stable performance of the artists of the day, and there were Ahn MinYoung and others around him among the artists. The purpose of this dissertation, based on the records in Gumokchongbu, is tracing Daewongun's career and the shape of literature observed by Ahn Minyoung. Daewongun arrived at his meridian fame all of a sudden when his son became Emperor Gojong. In his early seizure of political power, he strongly reformed the policy, but after ten years he retired because of the opposition of the vested rights. After his retirement, he regained political power, but the majority records in Gumokchongbu reveal both the time of Dawongun's early seizure of political power and the time after he retired. Because of this fact, the works, which give shape to Daewongun, describe mostly his meridian fame period. Ahn Minyoung thought that in the center of the artistic activities, there was Woonhyen palace where Daewongun was the main figure. Thus, if the relationship between Woonhyen palace and Dawongun is implicitly revealed, it will be easier to get closer to the history of that time. However, over the time, Daewongun's works have not been systematically handled because his works have not regarded as coming up to the literary criterion. Thus, this dissertation tries to grasp the meaning of Daewongun's literary tries observed by Ahn Minyoung related with the historical facts. Especially, it has important meaning that Gumokchongbu, the topic of this dissertation, consists with the repertories of sing together for Daewongun, Ahn Minyoung, and other artists.