홍애수건춤 춤사위에 나타난 상징성에 관한 연구

Abstract

From among dances with a silk towel in the Salpurichum, which is known as one of the best parts of Korean traditional dance, the purpose of this study is to analyze the symbolism of the expression of a woman's painful life in the dance movement of Hongae Handkerchief Dance, Baekdan (白丹) Handkerchief Dance in Anseong, Gyeonggi‐do. As the research analysis method, this study used methods of literature review and image analysis. A total of 62 dance movements of Hongae Handkerchief Dance were analyzed, and if distinguished centered on the symbolism of the expression of the woman's life among the dance movements, it can be divided into first, a movement expressing the daily life of a woman, second, a movement expressing the agony of the woman's life, third, a movement that expresses the process of overcoming adversity, and fourth, a movement that expresses a resurrection to leap into a new life. The Hongae Handkerchief Dance movement is not artificial and unstylish, and has wonder indigenous, natural, and clunky, and it is expressed as a dance of thoughts expressing women’s hard daily life and the agony of life. Also, through various dance movements, it is a dance that stands out in the symbolic expression of constitutionality of the composition four steps and solid story with the process of reclaiming new hope and finding pain and sublimating pain into resurrection and jubilation through a new challenge of regeneration life the process of sublimating pain into resurrection and joy through various dance movements looking for hope with new commitment through a process of life of resuscitation newly challenged.