박재희류 태평무의 발 디딤새 특성 연구

Abstract

Purpose: This study aims to analyze the footwork patterns in Park Jae-hee’s Taepyeongmu, breaking them down by rhythm and examining characteristics based on frequency to derive their meaning. Research Methods: This research was conducted through a literature review, video analysis, and interviews with Park Jae-hee, the designated holder of the dance. Research Result: The greatest variety of footwork patterns was found in the “Teobeollim” rhythmic cycle, with the most frequent pattern being the “Gyeopdidim Ttuimsae”. Ttara butimsae, dodeumdari olimsae, and dodeumsae are commonly repeated patterns that hold significant weight in Taepyeongmu. Additionally, patterns such as “Dolryeo Gyeopdiddimsae,” “Ttangdaji Diddimsae,” “Buchetsal Diddimsae,” “Umchan Paeng-i Diddimsae,” and “Balchim Diddimsae” were identified as distinctive patterns unique to Taepyeongmu. Conclusion: The footwork patterns of Park Jae-hee’s Taepyeongmu embody: first, the concept of ‘movement within stillness’ (静中動) and ‘stillness within movement’ (動中靜); second, the symbolic meaning of Byeoksajingeong; third, a spirit of excitement and joy; and fourth, the original intent of Han Seong-jun, the creator of Taepyeongmu, to express hope for Joseon’s independence and an era of peace and prosperity.