고려청자와 송대 청자의 조형 분석 연구

Abstract

Korea and China are closely related to each other in the development of celadon. Also, celadon is working as an important foothold to correctly understand the history of both countries, and also to recognize the value of culture. Celadon has expressed the modern ceramic with plural characteristics, as applied fine arts accepting the traditional formative elements and new concepts. Like this, the creation of modern celadon not only shows the ethnic characteristics of succeeding the formative characteristics of traditional celadon, but also uses the modern elements, which is significant to largely contribute to celadon of both countries. And, it would be necessary to have in-depth researches to promote the cultural exchange for celadon between Korea and China by seeking for design elements of celadon, showing the formative characteristics of celadon in the Goryeo and Song Dynasty fully reflecting the past history, and looking for the future direction of modern celadon through the combination of functional strengths. This study aimed to research works for the creation of modern celadon based on Korea-China traditional celadon, and also to concretely research the decorative expressing method by maintaining/succeeding the traditional production techniques shown in works by focusing on the use of modern elements and traditional formative elements. Based on the general consideration of the developmental status of celadon in the Goryeo and Song Dynasty which were the glory days of celadon, it was recognized that the development of celadon was greatly influenced by the expanded exchange of ceramic culture and diverse cultures between the Goryeo and Song Dynasty in the same period of time. Through the results of case analysis on changes in formativeness of celadon in the Goryeo and Song Dynasty, the unique color, pattern, and shape were comparatively analyzed. As a Chinese international student, this researcher received a clue of important formative aesthetic sense to deeply study celadon and also to teach inlaid technique to younger students in China, by researching the formative characteristics of Goryeo celadon focusing on inlaid technique. Furthermore, it aims to contribute to the cultural exchange and development of celadon of both countries by creatively developing the historicity of ethnic culture with modern elements through the combination of inlaid technique with works for the development of modern celadon. And also to largely contribute to the development of ceramic culture in Korea, China, and Asia, by extensively