中国唐代长沙窑陶瓷雕塑艺术浅析 - Analysis of Ceramic Sculpture in Changsha Kiln in Tang Dynasty of China
Analysis of Ceramic Sculpture in Changsha Kiln in Tang Dynasty of China
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长沙窑兴于唐代中期，没于五代,长沙窑陶瓷雕塑是唐朝陶瓷的奇葩, 其独特雕塑技艺是对唐代开 放、融合、繁荣的多元文化的演绎。长沙窑陶瓷日用器物、玩具和文具中有大量体现佛教、伊斯兰 教、中亚、西亚、南亚和欧洲等地具有西域外“胡”宗教特征和民族文化气息的独立性陶瓷雕塑和 附饰性陶瓷雕塑。长沙窑陶瓷雕塑对后世影响深远, 其艺术精神无论在现代陶艺还是现代雕塑中都 有体现,为中国当代陶艺与雕塑的创作提供很好的启迪。本文从雕塑技艺本位语言出发,重点论述长 沙窑模印贴花和捏塑两种典型雕塑技艺,剖析长沙窑陶瓷雕塑的类别、艺术特征和精神内涵
Abstract
Changsha kiln produced in the middle period of the Tang dynasty, declined in the Five Dynasties. Ceramic sculpture of Changsha kiln was a wonderful work of Tang Dynasty ceramics. Its unique sculpture skill is a multi-cultural interpretation of opening, blending and prosperity of Tang Dynasty. There are a large number of independent ceramic sculptures and ornaments in the ceramic daily necessities, toys and stationeries of Changsha kiln, which have the Religious characteristics and national culture of "Hu" outside the Western Regions, such as Buddhism, Islam, Central Asia, West Asia, South Asia and Europe. The ceramic sculpture of Changsha kiln has a far-reaching influence on later generations. Its artistic spirit is reflected in both modern ceramic and modern sculpture. It provides a good enlightenment for the creation of Chinese contemporary ceramic and sculpture. This article focuses on the two typical sculpture skill of Changsha kiln mold-printed applique and kneading model from the perspective of sculpture skill - oriented language, and analyzes the types, artistic features and spiritual connotation of Changsha kiln ceramic sculpture.
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