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“6도음정”의 선법적, 조성적 기능(2): 6음음계로부터 7음음계로 발전하는 과도기의 현상

The modal and tonal functions of the sixth in the seventeenth-century evolving hexachordal system into heptachordal system

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주제분류음악학

참고문헌 (21)

  1. Arnold, "in The New Oxford Companion to Music" (1983), Oxford Univ. press
  2. Arnold, "Frank Thomas. The Art of Accompaniment from A Thorough-Bass", Oxford University Press
  3. Bergquist, "Mode and Polyphony around 1500", pp.99161~ (1967)
  4. Francesco, "in Mlanges:Festschrift fr Johannes Wolf zu seinem sechzigsten Geburtstage Verlag Von Martin Breslauser", pp.4856~ (1929)
  5. Chailley, Jacques, "음악문헌학 Elments de philologie musicale", 521 (2003), 아카넷
  6. Christensen, "The Rgle de l’octave in thorough-bass theory and practice", pp.91~117 (1992)
  7. Gruber, "Albion. Evolving tonal theory in seventeenthcentury France Michigan Univ. of Rochester", pp.312~ (1969)
  8. Jeppesen, "Knud. CounterppointThe polyphonic vocal style of the sixteenth century", pp.302~, PrenticeHall
  9. avec une introduction par Edward J. Dent. Trad. en anglais par Margret W. Hamerik, "The Style of Palestrina and the dissonance", pp.272~ (1925), Levin og Munksgaard
  10. London, "Compositional Theory in the Eighteenth-Century" (1992), Harvard University Press
  11. in J. A. M. S, "Rootposition and inverted triads in theory around 1600", xxvii (1974)
  12. Trad. par Benito V. Rivera, "Johannes. Synopsis of new music", pp.65~ (1977), Colorado college music press
  13. Edward E, "Awereness of tonality in sixteenth century", ii, pp.4452 5863~
  14. Berkeley, "Tonality and atonality in sixteenth century music Univ. of California press", pp.101~ (1962)
  15. Morley, "Thomas. A Plaine and easie introduction to praticall musicke", pp.183~ (1937), Oxford Univ. press
  16. Stanley, "in The New Grove Dictionnary of Music and Musicians", zarli (1980), Macmillian Pub. Ltd.
  17. "Matthew. The theory and nature of harmony" (1970), Dr. Birchard Coar Publisher
  18. Simpson, "Christpher. The Principles of Practical Musik" (1970)
  19. Owen. Polyphonic Composition, "Univ. of Oxford", pp.140~ (1962)
  20. Giosseffo, "Livre IIIIV Trad. par O. Struck in Source Reading in Music Theory", zarli, pp.229261~ (1950)
  21. 이내선, "16세기 다성음악의 수평적 진행에 따른 수직적 결과 시편의 3가지 양식에 나타나는 종지형을 중심으로", 11, pp.97~132 (1997), 한양대학교 음악연구소

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