본문 바로가기
KERD
논문KCI 등재

K-네트를 이용한 성부진행 공간

Voice-Leading Space Using Klumpenhouwer Network

2

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류음악학

초록

본 논문에서는 필자의 “K-네트공간”을 소개한다. K-네트공간은 최근 북미 이론가들에 의하여 활발하게 연구되고 있는 “K-네트”와 “성부진행 공간”을 결합·발전시켜 구축한 것이다. K-네트공간은 기존의 K-네트에 대한 이론적 가능성을 넓히는 동시에, 최근에 활발히 연구되고 있는 성부진행 공간을 새로운 각도에서 제시한다는 데에 그 의미가 있을 것이다. 또한 이이론을 달라피콜라의 《괴테가곡》 (Goethe-Lieder, 1953), 제1번에 적용하여 그 유용성을보여주고자 한다.

Abstract

In this paper, I introduce a new model called “K-net Space.” The K-net Space is constructed as an extension of Klumpenhouwer's K-net and Straus's Voice-leading space which have been recently studied by atonal music theorists. The new model is useful in that it extends a theoretical possibility on the existing K-net theory and approaches the voice-leading space from a different way. To verify its theoretical utility, I have also analyzed the first song of Dallapiccola's Goethe-Lieder.

참고문헌 (24)

  1. 김희정, "PIN-사이클 공간: K-네트이론을 확장하여", 서양음악학, 14(3), pp.315~346 (2011), 한국서양음악학회
  2. 정이은, "음악이론과 분석", pp.97~152 (2005), 심설당
  3. Alegant, Brian, "Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music", Music Theory Spectrum, 23(1), pp.1~40 (2001)
  4. Eckert, Michael, "Text and Form in Dallapiccola's Goethe-Lieder", Perspectives of New Music, 17(2), pp.98~111 (1979)
  5. Forte, Allen, "Contemporary Tone Structure" (1955), Bureau of Publications, Teacher's College, Columbia University
  6. Hasty, Christopher, "Segmentation and Process in Post-Tonal Music", Music Theory Spectrum, 3, pp.54~73 (1981)
  7. Katz, Adele, "Challenge to Musical Tradition: A New Concept of Tonality" (1945), Alfred A. Knopf
  8. Klumpenhouwer, Henry, "A Generalized Model of Voice-Leading for Atonal Music", 박사, pp.1991
  9. Klumpenhouwer, Henry, "On the Problem of Succession and Continuity in Twentieth-Century Music", Music Theory Spectrum, 8, pp.58~74 (1986)
  10. Larson, Steve, "The Problem of Prolongation in Tonal Music: Terminology, Perception, and Expressive Meaning", Journal of Music Theory, 41(1), pp.101~136 (1997)
  11. Lerdahl, Fred, "Atonal Prolongational Structure", Contemporary Music Review, 4, pp.65~87 (1989)
  12. Lewin, David, "Generalized Musical Intervals and Transformations" (1987), Yale University Press
  13. Lewin, David, "Klumpenhouwer Networks and Some Isographies that Involve Them", Music Theory Spectrum, 12(1), pp.83~120 (1990)
  14. Morris, Robert, "Voice-Leading Spaces", Music Theory Spectrum, 20(2), pp.175~208 (1998)
  15. O'Donnell, Shaugn, "Transformational Voice Leading in Atonal Music", 박사, pp.1997
  16. Salzer, Felix, "Structural Hearing: Tonal Coherence in Music" (1962), Dover
  17. Straus, Joseph, "A Principle of Voice leading in the Music of Stravinsky", Music Theory Spectrum, 4, pp.106~124 (1982)
  18. Straus, Joseph, "The Problem of Prolongation in Post-Tonal Music", Journal of Music Theory, 31, pp.1~21 (1987)
  19. Straus, Joseph, "Music Theory in Concept and Practice", pp.237~274 (1997), University of Rochester Press
  20. Straus, Joseph, "Uniformity, Balance, and Smoothness in Atonal Voice Leading", Music Theory Spectrum, 25(2), pp.305~352 (2003)
  21. Straus, Joseph, "Voice Leading in Set-Class Space", Journal of Music Theory, 49(1), pp.45~108 (2005)
  22. Travis, Roy, "Toward a New Concept of Tonality?", Journal of Music Theory, 3, pp.257~284 (1959)
  23. Travis, Roy, "Directed Motion in Schoenberg and Webern", Perspectives of New Music, 4, pp.84~89 (1966)
  24. Travis, Roy, "Tonal Coherence in the First Movement of Bartok's First String Quartet", Music Forum, 2, pp.298~371 (1970)

관련 논문AI추천

이 간행물의 다른 논문 (3건)