“천국적인 길이”: 슈베르트의 확장된 제2주제군과 현상학적 시간
“Heavenly Length” : Schubert’s Expanded Secondary Theme Area and Phenomenological Time
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
본 논문은 슈베르트가 말년에 작곡한 《피아노 소나타 20번 A장조》(D959)를 통해서 슈만이 슈베르트 음악에 대해 "천국적인 길이"라고 말한 것의 현상학적 의미를 살펴본다. 슈만의 슈베르트 듣기와 관련해서, 본 논문은 특히 슈베르트의 형식 구조에서 일어나는 반복의 의미에 주목한다. 슈베르트의 반복적인 형식 구조에서 감상자들은 고전 시대의 소나타 형식에서 경험하는 시간성, 즉 목표점을 향해 진행하는 시간이 아닌, 순환적인 방식으로 시간을 경험한다. 슈베르트의 《피아노 소나타 20번 A장조》 1악장의 제2주제군의 형식 구성에서 감상자들이 경험하는 순환적 시간은 주제 진술의 반복을 통해 형성된다. 주제의 반복들 사이에서 나타나는 진행은 시간의 과정 속에서 점진적으로 그것의 목표점을 드러낸다. 슈베르트의 제2주제군에서 나타나는 이러한 구조적인 특질로 인해 감상자들은 월터 프리쉬(Walter Frisch)가 말하는 “기억에 근거한 듣기”를 하도록 유도된다. 또한 슈베르트의 반복적인 형식 구조는 후설의 시간 의식에 대한 이론을 환기시킨다. 후설의 이론을 슈베르트의 형식 구조에 적용함으로써, 본 논문은 슈베르트의 시간성이 음악의 구조적인 특질로부터 발생함을 주장한다.
Abstract
This paper investigates the phenomenological meaning of Schumann's expression of “heavenly length” on Schubert's music, focusing on the analysis of the secondary theme area of the first movement of Schubert's penultimate A-major sonata (D959). In relation to Schumann’s reading on Schubert, this paper pays attention to the meaning of repetitions occurring at a formal level in Schubert. In Schubert's repetitive formal structure, listeners’ experience of time is shaped in a cyclic manner, rather than in the forward-moving and goal-oriented way that is regarded as the normative procedure of conventional sonata form. However, what listeners experience in Schubert’s repetitive structure of the secondary theme is rather complicated: the trajectory of the thematic material gradually emerges and moves toward the sectional goal rather than simply remaining static in the repetition. These structural features of Schubert's secondary theme area invite listeners to use what Frisch calls “memory-based listening.” Furthermore, Schubert's repetitive structure evokes Husserl's theory of time consciousness. Applying Husserl's model to the musical structure, I argue that the temporality in Schubert’s music is elicited from the structural features.
참고문헌 (43)
- 정이은, "이동하는 시간: 슈베르트의 마지막 현악4중주(D887) 2악장의 경과부와 재경과부", 음악이론연구, 31, pp.42~70 (2018), 서울대학교 음악대학
- 조현리, "변환들과 음악분석", 서양음악학, 18(1), pp.81~109 (2015), 한국서양음악학회[DOI]
- Adorno, Theodor W, "Schubert (1928).” Translated by Jonathan Dunsby and Beate Perrey", 19th-Century Music, 29(1), pp.3~14 (2005)
- Augustine, "고백록" (2014), 서광사
- Henry Chadwick, "Augustine. Confessions" (1998), Oxford University Press
- "The ‘Heavenly Length’ of Schubert’s Music" (1999)[URL]
- Burnham, Scott, "Schubert’s Late Music: History, Theory, Style", pp.35~51 (2016), Cambridge University Press
- Burnham, Scott, "Landscape as Music, Landscape as Truth: Schubert and the Burden of Repetition", 19th-Century Music, 29(1), pp.31~41 (2005)
- Caplin, William E, "Musical Form, Forms, and Formenlehre: Three Methodological Reflections", pp.21~40 (2010), Leuven University Press
- Chung, Yi Eun, "Fissures in Time: Temporality of Schubert's Late Music", Ph.D, pp.2018
- Clark, Suzannah, "Gift to Goethe: The Aesthetics of the Intermediate Dominant in Schubert’s Music and Early Nineteenth-Century Theoretical Thought", Nineteenth-Century Music Review, 13(1), pp.39~70 (2016)
- Clark, Suzannah, "Analyzing Schubert" (2011), Cambridge University Press
- Clarke, David, "Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives", pp.1~28 (2011), Oxford University Press
- Cohn, Richard, "David Lewin’s Morgengruß: Text, Context, Commentary", pp.151~176 (2015), Oxford University Press
- Cone, Edward T, "Musical Form and Musical Performance" (1968), W. W. Norton & Company
- Dahlhaus, Carl, "Schubert: Critical and Analytical Studies", pp.1~12 (1986), University of Nebraska Press
- De Médicis, François, "Formal Functions in Perspective", pp.198~222 (2015), University of Rochester Press
- Denny, Thomas A, "Too Long? Too Loose? And Too Light? Critical Thoughts about Schubert’s Mature Finales", Studies in Music, 23, pp.25~52 (1989)
- Deutsch, Otto Erich, "Schubert: Memoirs by His Friends" (1958), The Macmillan Company
- Deutsch, Otto Erich, "Schubert: A Documentary Biography" (1946), J. M. Dent & Sons
- Frisch, Walter, "You Must Remember This’: Memory and Structure in Schubert’s String Quartet in G Major, D. 887", The Musical Quarterly, 84(4), pp.582~603 (2000)
- Hepokoski, James, "Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata" (2006), Oxford University Press
- Hepokoski, James, "Musical Form, Forms, and Formenlehre: Three Methodological Reflections", pp.71~89 (2010), Leuven University Press
- Hunt, Graham G, "When Structure and Design Collide: The Three-Key Exposition Revisited", Music Theory Spectrum, 36(2), pp.247~269 (2014)
- Hunt, Graham G, "The Three-Key Trimodular Block and Its Classical Precedents: Sonata Expositions of Schubert and Brahms", Intégral, 23, pp.65~119 (2009)
- Husserl, Edmund, "On the Phenomenology of the Consciousness of Internal Time (1893-1917)" (1991), Kluwer Academic Publishers
- Husserl, Edmund, "시간의식" (1996), 한길사
- Hyland, Anne M, "In Search of Liberated Time, or Schubert’s Quartet in G Major, D. 887: Once More Between Sonata and Variation", Music Theory Spectrum, 38(1), pp.85~108 (2016)
- Hyland, Anne M, "Irish Musical Analysis", pp.17~40 (2014), Four Courts Press
- Kessler, Deborah, "Schubert’s Late Three-Key Expositions: Influence, Design, and Structure", Ph.D, pp.1996
- Kramer, Richard, "Posthumous Schubert.” 19th-Century Music 14, no. 2 (1990): 197-216. Lewin, David. “Music Theory, Phenomenology, and Modes of Perception", Music Perception, 3(4), pp.327~392 (1986)
- Mak, Su Yin, "Schubert's Late Music: History, Theory, Style", pp.282~306 (2016), Cambridge University Press
- Monelle, Raymond, "Sense of Music: Semiotic Essays" (2000), Princeton University Press
- Newcomb, Anthony, "Schumann and Late Eighteenth-Century Narrative Strategies", 19th-Century Music, 11(2), pp.164~174 (1987)
- Schmalfeldt, Janet, "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" (2011), Oxford University Press
- Schumann, Clara, "The Complete Correspondence of Clara and Robert Schumann: Critical Edition, Volume. 2" (1984), Peter Lang
- Schumann, Clara, "Jugendbriefe von Robert Schumann" (1886), Breitkopf und Härtel
- Schumann, Robert, "Gesammelte Schriften über Musik und Musiker" (1854), Georg Wigand Verlag
- Shamgar, Beth, "Schubert’s Classic Legacy: Some Thoughts on Exposition-Recap. Form", The Journal of Musicology, 18(1), pp.150~169 (2001)
- Taylor, Benedict, "Schubert and the Construction of Memory: The String Quartet in A Minor, D.804 (Rosamunde)", Journal of the Royal Musical Association, 139(1), pp.41~88 (2014)
- Tovey, Donald Francis, "Essays and Lectures on Music", pp.134~159 (1949), Oxford University Press
- Webster, James, "Schubert's Sonata Form and Brahms’s First Maturity", 19th-Century Music, 2(1), pp.18~35 (1978)
- Wollenberg, Susan, "Schubert's Fingerprints: Studies in the Instrumental Works" (2011), Ashgate