리스트의 《순례의 해, 제2권》에서 보여지는 조성적 모호함과 응집성: 연곡의 관점으로 다시 보기
Tonal ambiguity and coherence shown in Liszt's Années de Pélerinage, Vol. II: Rethinking as a Piano Cycle
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In general, character pieces for piano by Franz Liszt(1811-1886) are considered as piano collections rather than cycles. For example, in Années de Pèlerinage, Vol. II (1838-1849), one of Liszt's piano collections, there are no relevant facts to estimate it as a cycle in the musical surface. Meanwhile, tonal ambiguity is presented by non-functional 3rd progression in the introductory part of each movement so that the tonic key is slowly established. Interestingly, the 3rd progression in the introduction plays a role to form tonal structure within a movement and leads to connect movements as a cycle. Through the innovative harmonic language of Liszt, the paper explores how the tonal coherence is achieved in the piece, rethinking it as a cycle.
Abstract
In general, character pieces for piano by Franz Liszt(1811-1886) are considered as piano collections rather than cycles. For example, in Années de Pèlerinage, Vol. II (1838-1849), one of Liszt's piano collections, there are no relevant facts to estimate it as a cycle in the musical surface. Meanwhile, tonal ambiguity is presented by non-functional 3rd progression in the introductory part of each movement so that the tonic key is slowly established. Interestingly, the 3rd progression in the introduction plays a role to form tonal structure within a movement and leads to connect movements as a cycle. Through the innovative harmonic language of Liszt, the paper explores how the tonal coherence is achieved in the piece, rethinking it as a cycle.
참고문헌 (17)
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