본문 바로가기
KERD
논문KCI 등재

음악적 제스츄어 – 영상도식에 의한 해명의 시도

Image Schematic Understanding of Musical Gesture

1

조회

0

다운로드

8

인용

0

참고문헌

키워드

주제분류음악학

초록

This essay aims at elucidating the ultimate foundation of the experience of music as gesture through the concept of ‘image schemata.’ For this purpose, it first presents the definitional characteristics of ‘image schemata,’ and then shows the essential features of musical gesture. Then, it analyzes the gestural experience of music through the concept of ‘image schemata.’ Ultimately, this essay argues that listeners can experience music as gesture, since s/he perceives the sequence of sounds as a meaningful whole through ‘image schemata.’ With this, this essay argues as well that gestural understanding of music at least as valid as the understanding of music in terms of the technical, formal vocabularies.

Abstract

This essay aims at elucidating the ultimate foundation of the experience of music as gesture through the concept of ‘image schemata.’ For this purpose, it first presents the definitional characteristics of ‘image schemata,’ and then shows the essential features of musical gesture. Then, it analyzes the gestural experience of music through the concept of ‘image schemata.’ Ultimately, this essay argues that listeners can experience music as gesture, since s/he perceives the sequence of sounds as a meaningful whole through ‘image schemata.’ With this, this essay argues as well that gestural understanding of music at least as valid as the understanding of music in terms of the technical, formal vocabularies.

참고문헌 (51)

  1. 김선빈, "리스트의 가곡집 ≪사랑의 꿈≫에 나타나는 음악과 가사의 상호작용 : 개념적 혼성 이론과 쉔커식 이론의 관점으로", 석사, pp.2011
  2. 정혜윤, "음악적 공간과 움직임, 은유인가 아닌가?", 音.樂.學, 18(1), pp.111~154 (2010), 한국음악학학회
  3. 정혜윤, "음악의 이해에서 은유가 하는 역할", 음악이론연구, 17, pp.142~179 (2011), 서양음악연구소
  4. Andrew Barker, "Harmonic and Acoustic Theory (Greek Musical Writings Vol. 2), Cambridge Readings in the Literature of Music" (1989), Cambridge University Press
  5. Brower, Candace, "Pathway, blockage, and containment", Theory and Practice, 22-23, pp.35~54 (1997)
  6. Brower, Candace, "A cognitive theory of musical meaning", Journal of Music Theory, 44, pp.323~379 (2000)
  7. Churchland, Patricia, "Brain-Wise: Studies in Neurophilosophy" (2002), MIT Press
  8. Cienki, Alan, "Image schemas and gesture, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.421~442 (2005), Hague
  9. Cox, Arnie, "Embodying music: Principles of the mimetic hypothesis", Music Theory Online, 17(2) (2011)
  10. Cusick, Suzanne G., "Feminist theory, music theory, and the mind-body problem", Perspectives of New Music, 32(1), pp.8~27 (1994)
  11. Dewey, John, "Experience and Nature" (1925), Open Court
  12. Dodge, Ellen, "Image schemas: From linguistic analysis to neural grounding, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.57~92 (2005), Hague
  13. Fauconnier, Gilles, "Conceptual integration and formal expression", Metaphor and Symbolic Activity, 10, pp.183~204 (1995)
  14. Fauconnier, Gilles, "The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities" (2002), Basic Books
  15. Galles, Vittorio, "The brain’s concepts: The role of the sensory-motor system in conceptual knowledge", Cognitive Neuropsychology, 22, pp.455~479 (2005)
  16. Gibbs, Jr. Ramond W., "The psychological status of image schemas, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.137~164 (2005), Hague
  17. Rolf Godøy, "Musical Gestures: Sound, Movement, and Meaning" (2010), Routledge
  18. Grady, Joseph E., "Image schemas and perception: Refining a definition, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.21~34 (2005), Hague
  19. Hampe, Beate, "Image schemas in Cognitive Linguistics: Introduction, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.1~12 (2005), Hague
  20. Hatten, Robert S., "Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert" (2004), Indiana University Press
  21. Johnson, Mark, "마음 속의 몸" (2000), 철학과 현실사
  22. Johnson, Mark, "The philosophical significance of image schemas, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.15~34 (2005), Hague
  23. Johnson, Mark, "Something in the way she moves” - Metaphors of musical motion", Metaphor and Symbol, 18(2), pp.63~84 (2003)
  24. 백종현, "순수이성비판 1" (2006), 아카넷
  25. Kimmel, Michael, "Culture regained: Situated and compound image schemas, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.285~312 (2005), Hague
  26. Kühl, Ole, "Musical Semantics" (2008), Peter Lang
  27. Lakoff, George, "Women, Fire, and Dangerous Things: What Categories Reveal about the Mind" (1987), Chicago University Press
  28. Lakoff, George, "Metaphors We Live by" (1980), University of Chicago Press
  29. Lakoff, George, "Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought" (1999), Basic Books
  30. Lakoff, George, "Where Mathematics Comes From: How the Embodied Mind Brings Mathematics into Being" (2000), Basic Books
  31. Langer, Susanne, "Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art" (1942), Harvard University Press
  32. Langer, Susanne, "Feeling and Form: A Theory of Art Developed from Philosophy in a New Key" (1953), Charles Scribner's Sons
  33. Lester, Joel, "The Presto from Bach’g-minor sonata for violin solo: Style, rhythm, and form in a Baroque moto perpetuo, In Engaging Music: Essaya in Music Anlysis", pp.167~179 (2005), Oxford University Press
  34. Lidov, David, "Mind and body in music", Semiotica, 66(1), pp.66~97 (1987)
  35. Lidov, David, "Is Language a Music?: Writings on Musical Form and Signification" (2005), Indiana University Press
  36. Lochhead, Judith, "Analyzing from the body", Theory and Practice, Journal of the Music Theory Society of New York State, 27, pp.37~68 (2002)
  37. Mead, Andrew, "Bodily hearing: physiological metaphors and musical understanding", Journal of Music Theory, 43(1), pp.1~19 (1999)
  38. Merleau-Ponty, "Maurice. Phénoménologie de la perception" (1945), Gallimard
  39. Rohrer, Tim, "Image schemata in the brain, In From Perception to Meaning: Image Schemas in Cognitive Linguistics", pp.165~197 (2005), Hague
  40. Saslaw, Janna K., "Forces, containers, and paths: The role of body-derived image schemas in the conceptualization of music", Journal of Music Theory, 40(2), pp.217~243 (1996)
  41. Saslaw, Janna K., "Life Forces: Conceptual Structures in Schenker's Free Composition and Schoenberg's The Musical Idea", Theory and Practice, 22-23, pp.17~33 (1997)
  42. Scruton, Roger, "The Aesthetic Understanding: Essays in the Philosophy of Art and Culture" (1988), St. Augustine’s Press
  43. Scruton, Roger, "The Aesthetics of Music" (1997), Oxford University Press
  44. Shore, Bradd, "Culture in Mind : Cognition, Culture, and the Problem of Meaning" (1996), Oxford University Press
  45. Urista-Quehl, Diane Jean, "Embodying music theory: Image schemas as sources for musical concepts and analysis, and as tools for expressive performance", 박사, pp.2001
  46. Wittgenstein, Ludwig, "Tractatus Logico-Philosophicus" (1961), Humanities Press
  47. Zbikowski, Lawrence M., "Metaphor and Music Theory: Reflections from Cognitive Science", Music Theory Online, 4(1) (1998)
  48. Zbikowski, Lawrence M., "Conceptualizing Music: Cognitive Structure, Theory, and Analysis" (2002), Oxford University Press
  49. Zbikowski, Lawrence M., "Metaphor and Music, In The Cambridge Handbook of Metaphor and Thought", pp.502~524 (2008), Cambridge University Press

관련 논문AI추천

이 간행물의 다른 논문 (3건)