中國北宋时期刻花青白瓷研究
Study on the carving of green and white porcelain in the Northern Song Dynasty of the Song Dynasty in China
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초록
在宋代( AD. 960-1279)的众多窑系中,以景德镇为中心的青白瓷窑系尤为著名。北宋时期 (AD.960-1127)优质的湖田窑青白瓷得以成功烧制,造型玲珑剔透,胎薄体轻,釉质温润如玉,釉色柔和淡 雅,刻花纹饰灵活多样。这一时期,刻花装饰作为一门历史悠久的传统手工艺技法,不断发展创新并成为 宋代装饰的主要形式之一。其刀法简洁有趣,线条灵活多变,形成自然淳朴、独特的艺术特色。 本文通过对北宋刻花青白瓷的历史性考察、对工艺特色和美学思想进行分析,从而对刻花技法和装饰 在现代陶瓷中的活用法进行深入探讨。创新的工艺技术和艺术表现形式使得现代青白瓷艺术具有新时代的 特色,也为现代生活注入新的人文价值。
Abstract
Among the many kiln systems of the Song Dynasty (AD.960-1279), the Qingbai porcelain kiln system centered on Jingdezhen is especially famous. In the Northern Song Dynasty (AD.960-1127),the high-quality Hutian kiln green white porcelain was successfully fired, the shape was exquisite and translucent, the tire was thin and light, the enamel was warm and jade, the glaze was soft and elegant, and the embossed decoration was flexible and diverse. During this period, carved decoration as a long-established traditional handicraft technique, constantly developed and innovated and became one of the main forms of decoration in the Song Dynasty. The knife method is simple and interesting, and the lines are flexible and changeable, forming a natural and simple artistic feature. Through the historical investigation of the engraved blue-white porcelain in the Northern Song Dynasty, the analysis of the craft features and aesthetics, this paper explores the usage of engraving techniques and decoration in modern ceramics. Innovative craftsmanship and artistic expressions make modern blue and white porcelain art have the characteristics of a new era, and also inject new human values into modern life.
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