利用“褶皱”图像的现代陶艺表现技法研究

Abstract

Gilles Deleuze said in terms of the form and way of thinking that ‘folds’ have the characteristics of ‘overlap but different’ and are infinite, as a concept extension theory. This research classifies the aesthetic concept of ‘folds’ into cosmological, macroscopic and microscopic concepts, and studies the techniques and expressions that can be used in modern ceramic works. Nature has created beautiful landscapes, including the cosmological, macroscopic, and microscopic material worlds. In nature, there are various natural phenomena, shapes and textures. The image of ‘folds’ exists no matter in the cosmological, macroscopic and microscopic worlds. Wrinkles are very common in nature and can be said to be a kind of ups and downs caused by the direction and magnitude of the force acting on an object. The state of ‘folds’ is characterized by chance and unconsciousness, and the texture it forms is the natural beauty endowed by nature, and at the same time it makes people feel special emotions. Researchers through the artistic treatment of the production and control of ‘wrinkles’ in the ceramic molding process, enriched the texture effect of the ceramic surface, and studied the humanistic value and cultural connotation of handwork. In addition, it studies the expression of ‘folds’ in modern ceramics from an aesthetic point of view, understands the creator's thoughts and emotions through the use of works in the shape of ‘folds’, and presents various application possibilities in ceramic performance.