마가요 채색도기에 나타난 개구리 무늬 특징과 변천에 관한 연구

Abstract

The Maga culture at the end of the Neolithic period had a distinct characteristic of the colored pottery culture, and it had a strong radiation force that affected a wide area in all directions. The frog pattern is one of the most representative patterns in the colored pottery patterns rich in Maga culture, and has traditionally been dealt with as many tasks in the historical, archaeological, and fine arts circles. The characteristics of colored pottery patterns were investigated by classifying them into three types of cultural developments, namely, Maga, Bansan, and Machang . Among the patterns of chroma during this period, the frog pattern is also called the divine human text, and the process leading to the formation of realistic images and the transformation of the frog pattern was studied. The formative characteristics and cultural implications of the frog pattern of the three cultural types during the development of Maga Saturation culture are the means and beliefs that express the thought, environment, and psychological state of human beings in the primitive age when wisdom first appeared. It can be seen that the pattern has become a symbol along with the desirefor, worship, and production.