근대 이후 벽화의 미술사적 의의와 보존의 문제

Abstract

The mural paintings calls all pictures which comes to draw in the wall panel and rolls up with, the type purely, in order to make a guard with the mural which draws in the wall panel of the building, the fence which builds and will be able to divide on a large scale with the mural which draws in all elements which are guard. Came to draw for a long time and the mural passed by modern and changed how tried to observe a change. The result with afterwords is same. All pictures ‘ which first, the mural comes to draw in `wall panels; That is, expanded a concept. Second, the mural until the Korea latter half of the year the royal palace and the Confucianism building, comes to draw Buddhist temple building etc., but reached to a Korea final period and sacrificial rite of the common people puts out the building, or the territory was magnified in even the fence. Three, the feature of the modern mural certainly after making wall layer, drew the picture. Four, in order to draw in wall place which dawns the articulation and chroma of the mural far clear are and brightly gives the impression which is light. This time if our country mural quality of material if from contents if from, also the space where comes to draw from variously, was developed. Like this mural the society which changes suddenly, provides a quick growth with aim and almost remains in order in order not to be to apply with cadence data of time must preserve certainly record.