화승 하은 응상(霞隱 應祥)의 교유관계와 불화 특징 고찰

Abstract

This study is about the characteristics of painting style on Haeun-Eungsang. Haeun-Eungsang attempted several experimental works in those days and left Buddhist paintings of creative styles. He created most of his works, as the head of Buddhist painters at Mt. Sabulsan while producing 60 paintings for 50 years in the Gyeongsang Province in the latter half of the 19th century. Eungsang's paintings was influenced by Toeun-Singyeom’s(퇴운 신겸), Uiwoon-Jawoo’s (의운 자우), In-gan’s(인간). Based on the results of this study, it was concluded that, different from the findings of previous works, Eungsang inherited the lineage of Toeun-Singyeom and Uiwoon-Jawoo and established his own painting style in Gyeongsang-do. It is that Buddhist painting in line drawing of Eungsang's painting style at the beginning was influenced by group work with Uiwoon-Jawoo. He utilized the preceding images of existing Buddhist paintings for creating new Buddhist paintings. On the other hand, he also created new paintings with his own styles after searching new painting styles. He created Buddhist paintings in new composition, utilizing popular painting images in other provinces or motives from other Buddhist paintings in different subjects. A characteristics of Eungsang's paintings are into the applications of advanced Buddhist painting images and the exploration of new painting styles. Also, Eungsang's paintings are possess some freedom in expression on composition. And, A small-sized Buddhist painting on a wide screen next to him is related to the small-scale building structure of the Buddhist Architecture in the late 19th century. It is a faithful reflection of the local features of Gyongsang-do and characteristics of the era in its symbols and painting style. He influenced his students as well as the change of painting styles of Gyeongsang-do and Gyeonggi-do in the late 19th century.