畵師 意雲堂 慈雨의 고승진영

Abstract

Before the Korean War-1950 in the temples all parte of the country were the portraits of the buddhist priest-means a buddhist painting which is worshiped-reached thousand pieces. The portrait of the buddhist priest is one that painted the virtuous buddhist priest, and it is so difficulty to clear a painter because of no record about making a painting unlike general buddhist. So among paintings have records, centering around the masterpieces of Uiwoondang Jawoo enshrined in Yeonggak(a shrine enshrined the portraits of buddhist priest) of Tongdo temple. Besides the present writer tried to study Jawoo's roles and relative importance in Dawseung temple of Mt. Sabul. Uiwoondang Jawoo was the representative monk painted not only a general buddhist painting but also a portrait of buddhist priest. He is a painter as not only obtained Dochongseob which is the best class in monk's position but also had a grand-looking monk as a Great Zen Master. As a painter, he acted at Gyeongsang and Gangwon province in the middle and late 19th, and did a Buddhist service of Daeseung temple- main temple of Mt. Sabul As above mentioned in this thesis, through the study about Uiwoondang Jawoo who acted centering about Daeseung temple of Mt. Sabul in northern Gyeongsang, was able to study his painting style and genealogy of priest painter continued TwiwoondangSingyeom- WoongweolSeonhwa- UiwoondangJawoo- Gwanheodang Uigwan. And the present writer studied his importance as the painter of Mt. Sabul centering Daeseung Temple and his influence on the portraits of buddhist priest after 19th.