남양주 흥국사 <감로도>를 통해 본 경기지역 坦鶴 門中

Abstract

The Nectar Ritual Painting(甘露圖) at Heungguksa Temple in Namyangju has different characteristics from the 18th century Nectar Temple. Heungguksa Temple the Nectar Ritual Painting was produced in 1868 as a Buddhist temple to create a main hall. Although the royal patronage is not seen directly, the patronage of the the Nectar Ritual Painting upper palace and the patronage of the royal family can be examined through the same immortal firearms. In this year, under the auspices of the royal family, the Buddhist temple was completed with the help of monks Inhe Yuseong(印虛惟性), Jeam Eungha(濟庵應荷), and Geumgok Yeonghwan(金谷永煥), who commented on the Heungguksa Temple. These monks were the monks of the Tanhak(坦鶴) clan and were at the center of the immortality of Heungguksa Temple in the 19th century. The monks of Tanhak Joong led the Buddhist temple at Heungguksa Temple in Namyangju. Above all, it can be seen that YinHe Yuseong, who was a disciple of Tanhak, played a proving role not only in Heungguksa Temple but also in the royal palace in the near region. In addition, his disciple Jeam Eungha also succeeded Yuseong and presided over the immortality of Heungguksa Temple, and was involved in the immortality of the royal temple on behalf of Yuseong. Geumgok Younghwan and Gyeongseon Eungseok, who were from Heungguksa Temple, played an active role in leading the Buddhist temple in the region as monks in the mid and late 19th century. Heungguksa Temple is a sculpture of the 19th century the Nectar Ritual Painting nectar road that was enshrined in the Wondang in the Geungi area in the middle of the Nectar Road. The figures descending from the clouds at the top and the elements that divide the space with the anglerfish were borrowed from the paintings that symbolized the auspicious image that was circulated from the palace to the private sector. The appearance of monks busy preparing for the ceremony and the appearance of large incense burners and objects are elements of the 19th century Nectar Diagram that were not seen in the previous Nectar Drawing. At the bottom, the elements of customs and the cityscape are reflections of the aspects of the culture that were enjoyed in the vicinity of Seoul. The Nectar Ritual Painting of Heungguksa Temple (1868) is a Buddhist painting that clearly shows the characteristics of Buddhist rituals and patrons in the 19th century, as well as the royal palace, and represents the 19th~20th century Nectar Ritual Painting.