하천 작 1727년 관음사 목조보살상의 종합적 연구

Abstract

The following points were revealed about the Songrim-sa temple Bodhisattva statue owned by Daegu Gwaneum-sa temple. First, the production background of the Gwaneum-sa temple Bodhisattva statue was examined in relation to the production prayer statement and the original collection location, the Songrim-sa temple Myungbujeon-hall. We carefully suggest the possibility that this Bodhisattva statue is the Divyagarbhah Bodhisattva statue, produced by ordering the production sculptor monk of the Three World Buddha statue at Donghwa-sa temple as a replacement statue after the main statue of Divyagarbhah Bodhisattva statue at the Songrim-sa temple Myungbujeon-hall was damaged. Second, it has been revealed that the iconographic characteristics of the Gwaneum-sa temple Bodhisattva statue are that the friendly face and dignified physique are almost similar to the Bodhisattva statues produced by Ha-cheon, and that it has characteristics that represent the Bodhisattva statue produced by Ha-cheon. Third, the Gwaneum-sa temple Bodhisattva statue must have been made in 1727, as the production prayer statement records that it was produced in May 1727 and enshrined in Songrim-sa temple Myungbujeon-hall. Comparing this statue with the Jijang-am temple Avalokitesvara Bodhisattva statue in 1726, the Munsu-am temple Avalokitesvara Bodhisattva statue in 1726, and the Donghwa-sa temple Three World Buddha statue in 1727 (January-April), it can be confirmed that it was created in 1727. Fourth, the chest-inside artifacts include prayer statements, Huryeongtong, Buddhist scriptures (Daebanggwangbul-Hwaeomgyeongso, Saddharma-pundari-ka-Sutra volume 7, Darani), etc., It can greatly contribute to the Joseon dynasty Buddha statue chest-inside artifact research and Buddhism scriptures research. Fifth, as this Gwaneum-sa temple Bodhisattva statue is not only a representative work of the Bodhisattva statues produced by Ha-cheon, but also is highly regarded as a representative work of Buddha statue sculpture in the late Joseon period, it is evaluated as having great significance in the Joseon Buddhist sculpture history.