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Enhancing the Capabilities of Dance Majors for Effective Performance as Teaching Artists

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The primary objective of this study is to analyze the essential competencies and methodical preparation process requisite for university dance major students to successfully transition into society as teaching artists. In this study, open-ended questionnaires and in-depth interviews were conducted with 13 dance majors enrolled at the National University of the Arts in Seoul. These students participated in a project outside of the curriculum, gaining experience as field artists. First, universities must offer subjects that enable students aspiring to become teaching artists to acquire pedagogical knowledge and skills. Second, dance majors should expand their understanding through extensive research on learners. Lastly, an internship system that connects with the field during undergraduate studies is necessary. Consequently, this study aims to propose a direction for the improvement of the existing education system by considering the educational requirements of universities for teaching artists and learners.

Abstract

The primary objective of this study is to analyze the essential competencies and methodical preparation process requisite for university dance major students to successfully transition into society as teaching artists. In this study, open-ended questionnaires and in-depth interviews were conducted with 13 dance majors enrolled at the National University of the Arts in Seoul. These students participated in a project outside of the curriculum, gaining experience as field artists. First, universities must offer subjects that enable students aspiring to become teaching artists to acquire pedagogical knowledge and skills. Second, dance majors should expand their understanding through extensive research on learners. Lastly, an internship system that connects with the field during undergraduate studies is necessary. Consequently, this study aims to propose a direction for the improvement of the existing education system by considering the educational requirements of universities for teaching artists and learners.

참고문헌 (14)

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  4. Huddy, A., "The teaching artist : A model for university dance teacher training", Research in Dance Education, 12(2), pp.157~171 (2011)
  5. Kassing, G., "Dance teaching methods and curriculum design: Comprehensive K-12 dance education" (2003), Human Kinetics
  6. 김대중, "대학교육에서의 핵심역량과 역량기반 교육에 대한 이해와 쟁점", 핵심역량교육연구, 2(1), pp.23~45 (2017), 한국핵심역량교육학회[DOI]
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  8. Annual report of Korea arts & culture education service, "Korea Arts & Culture Education Service", Korea Arts & Culture Education Service, ~ (2022)
  9. Na, K. A., "Dance education" (2011), Bogosa
  10. 박현정, "무용과 졸업생의 취업준비과정 및 직업만족도 분석", 무용역사기록학, 37, pp.81~99 (2015), 무용역사기록학회
  11. 박현정, "A Study on Dance Education Policy for Children and Adolescents from Vulnerable Groups", Research in Dance and Physical Activity, 6(3), pp.63~76 (2022), 글로벌문화예술교육연구소
  12. Remer, J., "Artist-educators in context : A brief history of artists in K-12 American public schooling", Teaching Artists Journal, 1(2), pp.69~79 (2003)
  13. Risner, D., "Hybrid lives of teaching and artistry : A study of teaching artists in dance in the USA", Research in Dance Education, 13(2), pp.175~193 (2012)
  14. Van Rossum, J. H. A., "The dance teacher : The ideal case and daily reality", Journal for the Education of the Gifted, 28(1), pp.36~55 (2004)

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