신전통춤 개념으로 본 달구벌입춤 전승 형태 연구

Abstract

In this study, we would like to study the transformation and characteristics that come from the process of the natural transmission of traditional dance and the Dalgubeolip Dance with local regional characteristics that originated in Daegu. We would like to study the traditional transformation work that can be seen in the traditional dance performance activities of the 2000s, that being the traditional dance phenomenon and the traditional form of the Dalgubeolip Dance. Through this, we will find meaning by presenting the proper traditional activities as a foundation for research on the tradition and new directions of the Dalgubeolip Dance. The Dalgubeolip Dance, seen as a new traditional dance, has been passed down through traditional reconstruction work. The shape of its movement maintains its original form while showing changes that give a sense of mystery from music, along with various and splendid changes in the stage composition that appear in the process of group dance. The inheritance of traditional art, that which embraces generational change, is expected to evolve. The traditional dance, Dalgubeolip Dance, should also be regarded as a traditional reconstruction defined as a new traditional dance, just as it was stylized according to the tastes of its time. The Dalgubeolip Dance also evolved through the process of tradition. Of course, pieces that are unappreciated will be forgotten, and the work that receives favorable reviews on its own will continue to be handed down along with its dance. The trials that this new traditional dance work will face will not be an indiscriminate transformation, but an evolving traditional dance tradition. In addition, it will introduce a new traditional paradigm in traditional art, which will bring about a proper and meaningful way to inherit tradition.