신(新)전통춤의 이론적 접근과 전승 패러다임 변화에 관한 연구
A Study on Theoretical Approach to 21C's New Traditional Dance and Shift of Succession Paradigms
1
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
New traditional dance must be a new direction emerged in the 21st Century. In the history of dance, artistic dance has seen new expression methods unfold according to the times. It's meaningful that a new type of artistic dance emerged at this moment when more than 100 years have passed since the Korean dance circle had started the artistic dance. Apart from this, new traditional dance can make traditional dance in the past into a more evolved form, paving the way for the advancement of traditional dance in the future. And so, new traditional dance could be an ideal dance activity allowing us to connect between the past, the present and the future. Further discussion of new traditional dance for its development is needed and, the study believes, activation of new traditional dance from the further evolved perspective may have a positive effect on the development of the country's dance world.
Abstract
New traditional dance must be a new direction emerged in the 21st Century. In the history of dance, artistic dance has seen new expression methods unfold according to the times. It's meaningful that a new type of artistic dance emerged at this moment when more than 100 years have passed since the Korean dance circle had started the artistic dance. Apart from this, new traditional dance can make traditional dance in the past into a more evolved form, paving the way for the advancement of traditional dance in the future. And so, new traditional dance could be an ideal dance activity allowing us to connect between the past, the present and the future. Further discussion of new traditional dance for its development is needed and, the study believes, activation of new traditional dance from the further evolved perspective may have a positive effect on the development of the country's dance world.
참고문헌 (12)
- 공혜영, "컨템포러리 무용에 나타나는 해체현상", 한국무용학회, 7(1), pp.11~16 (2007)
- 김태원, "한국 춤문화의 변동과 사회" (2011), 현대미학사
- 남수정, "한국 춤 변동과정에서 전통과 근대성의 관계 양상에 관한 소고", 한국무용사학, (3), pp.105~127 (2004)
- 박성호, "한국 전통춤의 근대성 발현양상 연구 : 조선후기를 중심으로", 박사, 예술철학, pp.2010
- 申相美, "무용학적 관점에서의 한국춤 움직임 분석 및 방법론 탐색", 박사, 체육학, pp.1997
- 안성희, "권번 여기 교육 연구", 석사, 음악교육, pp.2005
- 정신혜, "신전통춤 공연 현상에 근거한 개념 정립 및 체계화 필요성에 관한 연구", 대한무용학회 논문집, 77(2), pp.187~203 (2019), 대한무용학회[DOI]
- 정은주, "컨템포러리댄스에 나타난 포스트모던댄스의 미적 특성과 기능", 박사, 무용학과 무용학전공, pp.2012
- 최상철, "사회학적 관점에서의 무용예술의 특성", 한국무용교육학회지, 8, pp.23~42 (1997)
- 태혜신, "무용사회학 관점에서 본 우리춤의 미학", 예술과 과학기술, 2(2), pp.1~12 (2006), 우리춤연구소
- 황미숙, "현상학적 신체의 살의 해석과 춤 움직임의 특성", 움직임의 철학 : 한국체육철학회지, 11(1), pp.203~222 (2003), 한국체육철학회
- 허영일, "문예연감" (2001), 한국문화예술진흥원
