Árbol de Diana in German: Giving a new look to Pizarnik’s voice
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Recently, Argentine poet Alejandra Pizarnik (1936-1972) has been gaining visibility in German translation, especially since the 2002 publication of Cenizas – Asche, Asche, translated by Juana and Tobias Burhardt. That anthology introduces Pizarnik’s six most important poetry books in German translation, including Árbol de Diana. Alghough excerpts had previously been translated into German by others, the Burghardts are the first to tackle all 38 poems. In their postscript, they declare that they translated Pizarnik faithfully using the natural resources of German, which could be termed a target-oriented approach. Yet they also write that they sometimes resorted to ingenious alternatives or “tricks” (“alternative Kunstgriffe”) to reproduce the “intensity” and “musicality” of the poems, which could point towards an adaptive approach. This article focuses on how they treated the semantic and stylistic content of Árbol de Diana in order to find out whether their approach reproduces the original effect or deviates from it.
Abstract
Recently, Argentine poet Alejandra Pizarnik (1936-1972) has been gaining visibility in German translation, especially since the 2002 publication of Cenizas – Asche, Asche, translated by Juana and Tobias Burhardt. That anthology introduces Pizarnik’s six most important poetry books in German translation, including Árbol de Diana. Alghough excerpts had previously been translated into German by others, the Burghardts are the first to tackle all 38 poems. In their postscript, they declare that they translated Pizarnik faithfully using the natural resources of German, which could be termed a target-oriented approach. Yet they also write that they sometimes resorted to ingenious alternatives or “tricks” (“alternative Kunstgriffe”) to reproduce the “intensity” and “musicality” of the poems, which could point towards an adaptive approach. This article focuses on how they treated the semantic and stylistic content of Árbol de Diana in order to find out whether their approach reproduces the original effect or deviates from it.
참고문헌 (58)
- Aira, César., "Alejandra Pizarnik" (1998), Beatriz Viterbo Editora
- "Ammann verlegt Alejandra Pizarnik", Stuttgarter Zeitung(2003, February 14), 36~ (2003)
- Bassnett, Susan, "Knives and Angels : Women Writers in Latin America", pp.36~51 (1990), Zed Books Ltd
- Ben-Ari, "The Ambivalent Case of Repetitions in Literary Translation. Avoiding Repetitions: A ‘Universal’ of Translation?", Meta, 43(1), pp.1~11 (1998)[DOI]
- Text : Translatability, "La traduction comme l’épreuve de l’étranger. Traduction : Textualité", pp.1986, Berman, Antoine
- Borchmeyer, Florian, "Die erglühende Windsbraut – Erstmal übersetzt: die große Lyrikerin Alejandra Pizarnik", Frankfurter Allgemeine Zeitung, 34~ (2003)
- Braun, Michael, "Schiffbrüchig in sich selbst", Basler Zeitung(2003, January 17), 37~ (2003)
- Bundi, Markus, "Kindsköpfig", Aargauer Zeitung(2007, May 23), ~ (2007)
- Burghardt, Tobias, "Naturinstrumente", Stuttgarter Zeitung(2001, June 22), 32~ (2001)
- Chávez Silverman, Suzanne, "The Ex-centric Self: The Poetry of Alejandra Pizarnik", PhD, pp.1991
- Chávez Silverman, Suzanne, "Trac(k)ing Gender and Sexuality in the Writing of Alejandra Pizarnik", Chasqui, 35(2), pp.89~108 (2006)
- Chirinos, Eduardo, "La morada del silencio. Una reflexión sobre el silencio en la poesía a partir de las obras de Emilio Adolfo Westphalen" (1998), Fondo de Cultura Económica
- Cohen, Sara, "Pasiones. El silencio de los poetas", pp.43~60 (2002), Biblos
- "Diccionario de la lengua española de la Real Academia Española (DRAE)" (1992), Real Academia Española
- Donaldson, B. C., "German: An Essential Grammar" (2006), Taylor & Francis
- "Duden: Deutsches Universalwörterbuch" (2003), Dudenverlag
- Federmair, Leopold, "Das Handwerk des Sterbens: Die erschütternden Tagebücher der Alejandra Pizarnik", Neue Zürcher Zeigung(2007, May 26), 3~ (2007)
- Fitts, Alexandra, "Reading the Body", Writing the Body: Constructions of the Female Body in the Work of Latin American Women Writers, Duke University, 1995
- Gai, Michal Heidi, "Alejandra Pizarnik: Árbol de Diana", Romanic Review, 83(2), pp.245~260 (1992)
- Gauss, Karl-Markus, "“Nicht ich bin es, der schreit”: Zum 100. Geburtstag des ungarischen Dichters Attila József", Neue Zürcher Zeitung (2005, April 11), 2~ (2005)
- Goldberg, Florinda F., "Alejandra Pizarnik: ‘Este espacio que somos’" (1994), Ed.Hispamérica
- Guibelalde, Gabriel, "Aportes para la Extracción de la piedra de locura: Vida y obra de Alejandra Pizarnik" (1998), Editorial Dimas
- Jones, Francis R., "On Aboriginal Sufferences: A Process Model of Poetic Translating", Target, 1(2), pp.183~199 (1989)
- Klapper, John, "Modern German Grammar" (2003), Taylor & Francis
- Kuhnheim, Jill S., "Unsettling Silence in the Poetry of Olga Orozco and Alejandra Pizarnik", Monographic Review, 1990, pp.6, 258~273
- Kuhnheim, Jill S., "Gender, Politics, and Poetry in Twentieth-Century Argentina" (1996), University Press of Florida
- Lagunas, Alberto, "Alejandra Pizarnik: Textos inéditos y un reportaje desconocido", Proa (Buenos Aires), 2, pp.43~48 (1988)
- Lamping, Dieter, "Das lyrische Gedicht" (1993), Vandenhoeck & Ruprecht
- Lasarte, Francisco, "Alejandra Pizarnik and Poetic Exile", Bulletin of Hispanic Studies, 67(1), pp.71~76 (1990)
- Leighton, Marianne, "El jardín vedado: el espacio de la pintura en Alejandra Pizarnik", Taller de letras, 29, pp.177~190 (2011)
- "Los discursos poéticos en la obra de Alejandra Pizarnik. Espéculo 21" (2002)[URL]
- Meschonnic, Henri, "Poétique du traduire" (1999), Verdier
- May, Kari-Anne, "Die letzte Bastion", Aargauer Zeitung (2002, September 21), ~ (2002)
- Monder, Samuel, "Literatura y otras artes en América Latina", pp.17~22 (2004), University of Iowa
- Nicholson, Melanie, "Alejandra Pizarnik, Georges Bataille, and the Literature of Evil", Latin American Literary Review, 27(54), pp.5~22 (1999)
- "Nouveau Petit Robert" (1993), Dicorobert
- Pastré, J. -M., "Nouvelle Grammaire de l’allemand" (1998), Ophrys
- Pizarnik, Alejandra, "Árbol de Diana" (1962), Sur
- Pizarnik, Alejandra, "extraña que fui – fremd die ich war" (2000), teamart Verlag
- Pizarnik, Alejandra, "Prosa completa" (2002), Editorial Lumen
- Pizarnik, Alejandra, "Cenizas – Asche, Asche" (2002), Ammann Verlag
- Reischke, Ivonne, "¿Qué significa traducirse en palabras? Alejandra Pizarnik und das Thema der Sprache", PhD, pp.2007
- "Auf dem Weg zum Abgrund" (2007)[URL]
- Rodríguez Francia, Ana María, "La disolución en la obra de Alejandra Pizarnik : Ensombrecimiento de la existencia y ocultamiento del ser" (2003), Corregidor
- Rubí, Martha Lorena, "Spanish American Feminist Literary Theory : An Approach Through the Concept of Willing", PhD, pp.2002
- Running, Thorpe, "The Critical Poem: Borges, Paz, and Other Language-Centered Poets in Latin America" (1996), Associated University Presses
- Schanen, François, "Grammaire de l’allemand – Formes et fonctions" (2005), Armand Colin
- Schmitt, Hans-Jürgen, "Wie mit gezücktem Messer in der Nacht – Delmira Augustini, Alfonsina Storni, Alejandra Pizarnik: Leben und Sterben dreier lateinamerikanischer Lyrikerinnen" (2000), Ammann Verlag
- Soncini, Anna, "Itinerario de la palabra en el silencio", Cuadernos Hispanoamericanos. supp, 5, pp.7~15 (1990)
- Spielmann, Ellen, "Gespenster der Phantasie", Freitag 14(2007, May 6), ~ (2007)
- Stolzmann, Uwe, "Mit dem Herzen eines schwarzen Vogels – Das zweite Leben der Dichterin Alejandra Pizarnik", Neue Zürcher Zeitung(2003, February 6), ~ (2003)
- Stratford, Madeleine, "Le sujet traduisant: un autre double du je lyrique d’Alejandra Pizarnik?", MonTI: Monografías de traducción e interpretación, 3, pp.279~333 (2011)
- Stratford, Madeleine, "Translation Peripheries. Paratextual Elements in Translation", pp.149~172 (2011), Peter Lang
- Stratford, Madeleine, "Un poème de Pizarnik sous toutes ses coutures : vers une nouvelle méthode d’analyse des traductions poétiques", TTR, 24(2), pp.143~176 (2011)
- Telaak, Anastasia, "Körper, Sprache, Tradition – Jüdische Topographien im Werk zeitgenössischer Autorinnen und Autoren aus Argentinien" (2003), Wissenschaftlicher Verlag
- Wagner, Jan, "König Todeswunsch", Frankfurter Rundschau (2002, November 27), ~ (2002)
- "Webster’s College Dictionary" (1999), Random House
- Winterberg, Klaus, "Bewegende Lesung", Kölner Stadt-Anzeiger(2006, June 6), ~ (2006)