한국 줄타기의 역사와 연행 양상

Abstract

The Historical Development and Play Aspect of Korean JultagiLee, Ho-Seung (Korea University, Researcher)Korean Jultagi has been performed as one of several play items that was done in the name of Baekhui 百戱, Gamubaekhui 歌舞百戱, Japhui 雜戱, Narye 儺禮, Nahui 儺戱, Sandaejapgeuk 山臺雜劇, Sandaehui 山臺戱 in the peroid of the Three Kingdoms, Koryo Dynasty and Joseon Dynasty.Korean Jultagi entered into the Korea peninsula in the period of the Three Kingdoms from China and Countries bordering on Western China. Korean Jultagi is a play item that surffered Sanak 散樂Baekhui 百戱 impact. But We can not find in the origin of Jultagi only through Sanak baekhui. Despite of foreign impact, spontaneous generative Jultagi tradition already existed in Korea peninsula. In fact, circus such as balancing act is a play item discovered universally in the world because of the purpose (military training, conquesting obstacle in life). Therefore Korean Jultagi was created under base of foreign element and spontaneous generative Jultagi tradition and became re-creation, was advanced . Korean Jultagi used Samhyeonyukgak 三絃六角 for accompaniment music, Jangdan 長短 which dividing into three parts foil and a lot of popular insertion songs.Korean Jultagi is composed of rope technique, mimicry, the insertion songs, acting of circus. Korean Jultagi witty talk appear slang, curses, filthy talk etc. and lets an atmosphere of performance excite, delightful and causes interest of audiences.