세 권의 『하늘과 바람과 별과 詩』

Abstract

The first version of Sky, Wind, Stars and Poem is a bundle of squared manuscript papers, fair copies of 18 poems carefully selected by himself from his works when he graduated Yonhui college and a forward in the form of poem written in November 20, 1941. So, the first version was not published, however, it is a handwritten draft of poems selected by the poet, completed around November and December 1941. And it has become the source of the complete works handwritten by the author because the original manuscripts given to Jeong, Byung-wook was preserved. Then, after the liberation from Japan, Yoon, Dong-ju’s ‘Easily Written Poem’ was published for the first time in Kyunghyang Newspaper with the introduction by Jeong, Ji-yong in February 13, 1947. And Jeongum publishing company collected 31 poems after his death and published Sky, Wind, Stars and Poem with a forward by Jeong, Ji-yong, an epilogue by Kang, Cheo-joong and a lamentation poem by Yoo, Young in January 1848. This is the second version of Sky, Wind, Stars and Poem. The front cover of this version is famous for its blue color, actually the first edition of it was published with brown cover. Later in March 1948, 1,000 copies were published with blue cover. Yoon, Dong-ju’s sister, Yoon, Hey-won moved from hometown to Seoul with study note of the poet in December 1948. Commemorating the 10th anniversary of Yoon’s death, Jeongum publishing company added works from study note and published Sky, Wind, Stars and Poem, a compilation of 89 poems and 4 proses. A forward by Jeong, Ji-yong and an epilogue by Kang, Cheo-joong in the second version were excluded. Yoon, Il-joo edited this version with the consultation of Jeong, Byung-wook and the cover picture was drawn by Kim, Hwan-ki. This is the third version of Sky, Wind, Stars and Poem following the organization of The Collected Poems of Jeong, Ji-yong published from Simunhaksa in 1935. The traces of the Japanese Empire and colonization, memory and oblivion, liberation and the division of Korea had flown into the history of these texts. All texts are products of the history and the reason why we have to look into the inside, context and structure of the text is in here.