관객의 몸 경험과 체화된 공감 : 극단 뛰다의 <휴먼 푸가>를 중심으로
The Audience's Bodily Experience and Embodied Empathy : Focusing on Human Fuga
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초록
본고는 신경 과학과 체화 인지 이론을 토대로 <휴먼 푸가>를 분석하여 관객의 몸 경험과 체화된 공감 과정을 탐구한다. 몸을 매개로 한 운동 감각적 공감과 언어와 서사가 동원되는 고차원의 인지 과정을 통해 구성되는 관객 경험을 살피는 것이다. 먼저 우리 몸의 작동 기제를 근거로 관객의 즉각적이고 비자발적인 몸 경험을 이끄는 공연의 몸, 움직임, 소리를 분석한다. 다음으로 몸, 언어, 서사의 교차점에서 <휴먼 푸가>를 분석하며, 언어와 서사가 관객의 몸 경험을 보완하고 자극하는 전략임을 확인한다. 이러한 논의는 몸 경험이 공감의 토대가 되며, 운동 감각적 공감과 서사가 매개하는 지적 이해를 이중으로 결합한 공연 전략이 관객의 체화된 공감을 효과적으로 이뤄낼 수 있다는 결론에 이른다. 인지 이론을 접목한 이 연구는 몸 중심의 공연 분석에 유용하게 활용될 수 있으며, 관객의 미적 경험을 논하는 또 다른 관점을 제시한다는 점에서 의미가 있다.
Abstract
This study analyzes Human Fuga based on embodied cognition theory and neuroscience to explore the audience’s bodily experiences and the embodied empathy. It examines how the kinesthetic empathy mediated by the body and higher-level cognitive processes involving language and narrative shape the audience’s experience. Initially, we analyze the body, movement, and sound of the performance, which lead to the audience's immediate and involuntary bodily experience grounded in our body’s mechanisms. Subsequently, Human Fuga is analyzed at the intersection of body, language, and narrative, identifying that language and narrative strategies enhance and stimulate the audience's bodily experience. This discussion leads to the conclusion that bodily experience is foundational to empathy and that Human Fuga's strategies augmenting kinesthetic empathy with intellectual understanding mediated by narrative can effectively achieve embodied empathy. This article, integrating cognitive theory, can be appropriately utilized in analyzing body-centered performances and provides a new perspective in discussing the aesthetic experience of the audience.
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