신디 셔먼(Cindy Sherman) 패션 사진의 미학적 가치 분석
The Study of Aesthetic Value in Cindy Sherman's Fashion Photographs
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Abstract
The advent of various arts and remarkable development of mass media since 1980s accelerate fashion photographs' advancement. The expression of fashion through photographs can represent characteristics of ages, societies, cultures, traits of designers and techniques of photographers. This study focuses on Cindy Sherman's fashion photographs, which represent different kinds of respect to the women's states and identity. Cindy Sherman describes neglected women, sexual characteristics, and tries to overcome the limitation existing in modern society. By analyzing her fashion photographs, women's identities can be examined and the new trial of fashion photographs' expression is able to be considered as well. The results are summarized into two traits. The first is grotesque images, which have strange cuts, dissolved and deformed bodies. Those are expressions to subvert the stereotype of women. The second is amusement, which is expressed with uncanny and ridiculous appearances. These fun images are challenges to depict human instinct and also symbolic plays.
참고문헌 (10)
- 김현정, "패션 쇼 윈도우 디스플레이에 나타난 유희성 연구", 석사, pp.2006
- 윤영, "현대패션에 나타난 잔혹성 이미지 연구", 석사, pp.2003
- 차은진, "애브젝트(Abjection)로 표현된 의상", 복식, 52(2), pp.19~30 (2002), 한국복식학회
- 허지숙, "신디 셔먼 작품에 나타난 파편화된 신체이미지 연구", 석사, pp.2003
- Amada Cruz, "Cindy Sherman Retrospective" (2003), Thames & Hudson
- Cindy Sherman, "Cindy Sherman: A Play of Selves" (2007), Hatje Cantz
- Cindy Sherman, "Cindy Sherman:The Complete Untitled Film Stills.New" (2003), The Museum of Modern Art
- David Lee, "Cindy Sherman", Arts Rev, 11 (1991), 11,Novenber
- John Sturman, "The art of becoming someone else", Art News, 7 (1984)
- Julia Kristeva, "공포의 권력" (1980), 동문선
