Cindy Sherman's Media Reality: Focusing on <Untitled Film Stills>
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The purpose of this paper is to explore the media reality that appears in Cindy Sherman's <Untitled Film Stills>. With the rapid development of mass media, media integrity has become a universal concern. Cindy Sherman uses photography to capture moments and seems to seize reality in front of her camera. However, she uses the theatricality of imitation and appropriation to expand into 'cross-media language' and provide an image narrative to the public. The imitation and appropriation that appear in her works are acts of visual consumption, and their meaning is a false mediated truth. From the perspective of media authenticity, Cindy Sherman's works were analyzed by dividing them into three aspects: photographic reality, hyper-reality, and reconstructed reality. Cindy Sherman has created many fictional identities and characters through her photography work. The realistic effect makes the characters feel like real individuals. Based on the truth of the media, she uses exaggeration and fictional expressions of hyper-reality and creates her own unique artistic effects. Using methods of imitation and appropriation, we reconstruct objects and symbols familiar to the public and encourage them to reconstruct the truth of the media. The media reality that appears in Cindy Sherman's works, which breaks down the boundary between reality and representation, is the simulacrum and hyper-reality that Baudrillard talks about.
Abstract
The purpose of this paper is to explore the media reality that appears in Cindy Sherman's <Untitled Film Stills>. With the rapid development of mass media, media integrity has become a universal concern. Cindy Sherman uses photography to capture moments and seems to seize reality in front of her camera. However, she uses the theatricality of imitation and appropriation to expand into 'cross-media language' and provide an image narrative to the public. The imitation and appropriation that appear in her works are acts of visual consumption, and their meaning is a false mediated truth. From the perspective of media authenticity, Cindy Sherman's works were analyzed by dividing them into three aspects: photographic reality, hyper-reality, and reconstructed reality. Cindy Sherman has created many fictional identities and characters through her photography work. The realistic effect makes the characters feel like real individuals. Based on the truth of the media, she uses exaggeration and fictional expressions of hyper-reality and creates her own unique artistic effects. Using methods of imitation and appropriation, we reconstruct objects and symbols familiar to the public and encourage them to reconstruct the truth of the media. The media reality that appears in Cindy Sherman's works, which breaks down the boundary between reality and representation, is the simulacrum and hyper-reality that Baudrillard talks about.
참고문헌 (24)
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