한국춤에 내재된 장단의 美

Abstract

The purpose of this study is to explore aesthetics and the beauty of dance movement which breathes within the Buddhist invocation rhythm of Yimaebang Type Buddhist dance. To find out how characteristics of rhythm of Buddhist invocation are expressed, foundation on Buddhist invocation rhythm and dance movement was formed by discussing the concept of rhythm and musical consideration on Buddhist invocation rhythm. First, as well as the dance, the basic rhythm is formed in four frames with 3 beats on the basis of the world view of trichotomy, and expressed in a principle of󰡒push-hang-bind-unbind󰡓distribution. Second, Buddhist invocation rhythm is a type of rhythm based on mutual combination, using all of Ssangpyun-goyo. Most of the time, there is Sosam on the basis of the sound at 2, 4, 6 beats, and the 9th beat is set for spontaneous delights following the dancer's breath with the sublimation of evaporation. Formation of dance and rhythm is󰡒Daesam-Sosam-Daesam·Sosam󰡓on the basis of 2 small Hanbaes, which tells us that rhythm and dance coexist organically. Third, long breath and melody or phrase of Sigimsa in Buddhist invocation rhythm forms a natural connecting composition for the dancer's movement, and slowness expresses synergy effect by sublimating the beauty of flexibility and fullness. Fourth, small Haebae of Buddhist invocation is formed by space which is accepted as an aesthetical characteristic which sublimates the expression of feelings withing such gaps by frequent improvisation of a blank space. Such beauty of a blank space accomplishes the beauty of repetition from slowness, and naturally contains the󰡐delight of dance󰡑 and󰡐delight of rhythm󰡑.