공격 효과를 통해 관객의 의식에 접근하기:에드워드 본드의 「이른 아침」을 중심으로

Abstract

To Communicate with its Audience through Aggro-Effect: A Study of Edward Bond's Early MorningPark, Hyun A This study intends to examine how Edward Bond's intention and consciousness communicate to his audience through dramatic strategies focusing on the aggro-effect. From the sixties onward, Edward Bond consistently has dealt with social and political themes in his plays. He thinks that the playwright is responsible not only for making a record of social reality, but also for analyzing that record. Here We can find the usefulness of Edward Bond's aggro-effect. It encourages the audience to involve dramatic situation by emotional surprise and confusion, and then next moment to force back on evaluate and consider it. In the study on Bond's Early Morning, aggro-effect usually appears in three aspects, characterization, using the image of violence and dramatic framing devices itself. First, Arther/ George's malformed body image is a kind of shock, but extend distance again by its metaphorical meaning. Second, Bond has become notorious for images of violence in his plays. The image of violence in Early Morning, is grotesque and intense. The Image of cannibalism is a shocking device, but the form of handling the violence demands the audience of intellectual response. Finally, as a historical allegory, Early Morning uses historical celebrities as its characters, Victoria, Florence, and Albert so on. They reveal the dark and hidden side of history. It shakes English spectator's memory and reverence for them through the distortion and the exaggeration.