우울증의 시학: 에밀리 디킨슨 시에 나타난 죽음과 욕망의 상상
The Poetics of Melancholy: Imaginings of Death and Desire in Emily Dickinson
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This article explores Emily Dickinson’s poetic exploration of unattainable desire and its interplay with absence and death, seen through melancholic imaginings. Despite the absence of love with her beloved, Dickinson’s speaker imagines it as once possessed and then lost, thereby rendering attainable something previously unreachable. Through analysis of poems like “I cannot live with You,” “I see thee better—in the Dark,” “If I may have it, when it’s dead,” and “Title divine—is mine!,” this article reveals that death in Dickinson, often depicted as the ultimate form of loss, serves as a crucial backdrop upon which desire unfolds, perceived as an essential element for its fulfillment. Yet the speaker’s idealized love, when realized, is susceptible to disappointment. Caught in the conflict between imaginative longing and the necessary disappointment of its realization, the speaker employs various melancholic strategies to sustain desire, such as delaying its fulfillment, envisioning its object as lost in the past or the future, and idealizing the object of her longing.
Abstract
This article explores Emily Dickinson’s poetic exploration of unattainable desire and its interplay with absence and death, seen through melancholic imaginings. Despite the absence of love with her beloved, Dickinson’s speaker imagines it as once possessed and then lost, thereby rendering attainable something previously unreachable. Through analysis of poems like “I cannot live with You,” “I see thee better—in the Dark,” “If I may have it, when it’s dead,” and “Title divine—is mine!,” this article reveals that death in Dickinson, often depicted as the ultimate form of loss, serves as a crucial backdrop upon which desire unfolds, perceived as an essential element for its fulfillment. Yet the speaker’s idealized love, when realized, is susceptible to disappointment. Caught in the conflict between imaginative longing and the necessary disappointment of its realization, the speaker employs various melancholic strategies to sustain desire, such as delaying its fulfillment, envisioning its object as lost in the past or the future, and idealizing the object of her longing.
참고문헌 (17)
- 원종섭, "에밀리 디킨슨의 시에 나타난 사랑과 고통과 극복의 전락", 영어영문학, 20(3), pp.165~185 (2015)
- Agamben, Giorgio, "Stanzas: Word and Phantasm in the Western Culture" (1993), U of Minnesota P
- Burbick, Joan, "Emily Dickinson and the Economics of Desire", American Literature, 58(3), pp.361~378 (1986)
- Clemens, Justin, "The Abandonment of Sex: Giorgio Agamben, Psychoanalysis and Melancholia", Theory and Event, 13(1), pp.1~15 (2010)[DOI]
- Craig, Megan, "Emily Dickinson and Philosophy", pp.207~226 (2013), Cambridge UP
- Dickinson, Emily, "The Complete Poems of Emily Dickinson" (1960), Back Bay Books
- Diehl, Joanne Feit, "The Poetics of Loss: Erotic Melancholia in Agamben and Dickinson", American Imago, 66(3), pp.369~381 (2009)
- Erkila, Besty, "Emily Dickinson and Class", American Literary History, 4(1), pp.1~27 (1992)
- Freedman, Linda, "Emily Dickinson and the Religious Imagination" (2011), Cambridge UP
- Freud, Sigmund, "The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIV", pp.243~258 (1957), Hogarth
- Johnson, Thomas. H, "Emily Dickinson : An Interpretive Biography" (1967), Harvard UP
- Stonum, Gary, "The Dickinson Sublime" (1990), U of Wisconsin P
- Welter, Barbara, "Dimity Convictions : The American Woman in the Nineteenth Century" (1976), Ohio UP
- Wharton, Edith Wharton, "The Age of Innocence" (2002), Norton
- "pertinent Constructions of Body and Self: Dickinson’s Use of the Romantic Grotesque"
- Wolosky, Shira, "A Historical Guide to Emily Dickinson", pp.103~131 (2004), Oxford UP
- Žižek, Slavoj, "Did Somebody Say Totalitarianism? : Five Interventions in the(Mis)use of a Notion" (2002), Verso