에밀리 디킨슨의 시에 나타난 사랑의 고통과 극복의 전략
Emily Dickinson's Love Poetry and Writing Strategy for Mastering the Agony of Love
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Poem-making allows us to make profound discoveries about ourselves. It can become a beacon during our dark times and it can even cure anguish and cause joy. Emily Dickinson was an American poet. I traced her writing strategy for mastering the agony of love and the process of poetic self-therapy through her poems which deal with love subjects. Her poetry was a reflection of a great soul's journey since she experienced the extreme of beliefs and loss. Her poetry grew directly out of her personal experiences and served as an out for her frustrated emotions. In a sense her poetry preserved her individuality and provided her with the needed relief for tensions lest her balance of character is threatened. Emily Dickinson's love poetry generally portrays a longing for a passion she can have, or else her painful reaction to a love which she has had, but which has somehow been taken away from her. As its best, Dickinson's love poetry can be an astringent and dignified commentary on the pain of unreturned or impossible love; as its worst sometimes degenerates into self-pity. Her love poetry has two levels of the mind that is consciousness and unconsciousness. She strictly sticks to the ideal quality of her love and insists on absolutely integrity of love that we seldom see in this real world. She, suffering from the frustration of her spiritual and erotic love, wishing to realize her love in the near future or after death, expresses her desire for spiritual and erotic love through acceptable forms of fantasy. Writing a poem was all about observing the world within her or around her. Her truth-seeking was a spiritual quest that governed her inner life, and naturally blossomed through her poetic works. The act of writing gave Emily Dickinson back a sense of her soul.
Abstract
Poem-making allows us to make profound discoveries about ourselves. It can become a beacon during our dark times and it can even cure anguish and cause joy. Emily Dickinson was an American poet. I traced her writing strategy for mastering the agony of love and the process of poetic self-therapy through her poems which deal with love subjects. Her poetry was a reflection of a great soul's journey since she experienced the extreme of beliefs and loss. Her poetry grew directly out of her personal experiences and served as an out for her frustrated emotions. In a sense her poetry preserved her individuality and provided her with the needed relief for tensions lest her balance of character is threatened. Emily Dickinson's love poetry generally portrays a longing for a passion she can have, or else her painful reaction to a love which she has had, but which has somehow been taken away from her. As its best, Dickinson's love poetry can be an astringent and dignified commentary on the pain of unreturned or impossible love; as its worst sometimes degenerates into self-pity. Her love poetry has two levels of the mind that is consciousness and unconsciousness. She strictly sticks to the ideal quality of her love and insists on absolutely integrity of love that we seldom see in this real world. She, suffering from the frustration of her spiritual and erotic love, wishing to realize her love in the near future or after death, expresses her desire for spiritual and erotic love through acceptable forms of fantasy. Writing a poem was all about observing the world within her or around her. Her truth-seeking was a spiritual quest that governed her inner life, and naturally blossomed through her poetic works. The act of writing gave Emily Dickinson back a sense of her soul.
참고문헌 (20)
- Albert J. Gelpi, "Emily Dickinson: The Mind of the Poet" (1965), Harvard Univ. Press
- Anderson, Charles R, "Emily Dickinson's Poetry: Stairway of Surprise" (1960), Holt, Rinehart and winston
- David J. M. Higgins, "Emily Dickinson : A Collection of Critical Essays" (1963), PrenticeHall
- Ferlazzo, Paul, "Emily Dickinson" (1976), Twayne Publishers
- Harold Bloom, "Bloom's Modern Critical View : Emily Dickinson-New Edition" (2008), Infobase Publishing
- Inder Nath Kher, "The Landscape of Absence. :· Emily Dicki:nson's Poetry" (1974), Yale Univ. Press
- Jean McClure Mudge, "Emily Dickinson & the Image of Home" (1975), The Univ. of Massachusetts
- Jerome Loving, "Emily dickinson Loving : The Poet on the Second Story" (1986), Cambridge Univ. Press
- Joanne Feit Diehl, "Dickinson and the Romantic Imagination" (1981), Princeton Unov. Press
- John B. Picard, "Emily Dickinson: An Introduction and Interpretation" (1967), Holt, Rinehart & Winston, Inc
- John Fox, "Poetic Medicine, The Healing Art of Poem-Making", pp.35~ (1997), Putnam, a member of Penguin Putnam Inc
- Kirkby, Joan, "Emily Dickinson" (1991), Macmillan Press
- Leiter, Sharon, "Critiml Companion to Emily Dickinson" (2007), Insobase Publishing
- Marie Philomene, "Encounters with English and American Poets" (1976), The Hokseido Press
- Martin Bickam, "The unsounded Centre : Jungian Studies in American Romanticism" (1980), The Univ. of North Carolina Press
- Rebecca Patterson, "The Riddle. of Emily Dickinson" (1973), Cooper Square Publishers
- Rothenberg, A, "Poetic Process and Psychotherapy, Kinship and Contrast" (1973), Leedy
- Sharon Cameron, "Lyric Times: Dickinson and the Limits of Genre" (1979), The Johns Hopkins Univ. Press
- Tate, Allen, "Critiml Essays on Emily Dickinson" (1984), G. K. Hall & Co
- Thoman H. johnson, "The Letters of Emily Dickinson 1-3", pp.1958, Faber and Faber Limited