유치환의 동인지 시기 시적 의미 연구- 참여 동인지와 새로 찾은 시집 미수록 작품을 중심으로 -

Abstract

This paper aims to focus on the poetry of Yu Chi-hwan through his literary coterie magazine activity and newly found ‘excluded poem from collection’. According to Yu's personal history, he was connected to literary coterie magazine for long time in various formats. He led 『Sojebu Jeilsijip(掃除夫 第一詩集)』 or 『Saengri(生理)』 in the 20s and 30s. Since the liberation, he wasn't initiative but published numerous poem such as 『竹筍(Jooksun)』이나 『Nangmanpa浪漫派』, 『Dengbul』 and actively participated in literary coterie magazine. Through his early ‘literary coterie magazine’, he dreamed of a variety of poetic experiments and literary flying, and he set up a framework for his own poetic world. In the liberation period, he played a leading role in the local literary circle as a link between Gyeongnam and Gyeongbuk, the local and the central, through ‘literary coterie magazine’. The activity of the liberation period can be said to be strong as a ‘movement’. The ‘movement’ also has the meaning of movement as the movement for the activation of local literature and the meaning of organization through linking with so - called ‘central’. It also means that the activities of his liberation period act is so political. There are few poets who use the ‘literary coterie magazine’ as much in our literature. Through the ‘literary coterie magazine’. he expanded the circle of literature and local literature. He has contributed to the formation of literary fields as well as individual competence through various activities. As a result, the significance of the activity can be found in the fact that it tried to broaden the topographic map in the center-centered the literary world.