팬데믹 시대의 에드거 앨런 포: 「붉은 죽음의 가면극」에 나타난 상호텍스트성
Edgar Allan Poe in the Age of the Pandemic: Intertextuality in “The Masque of the Red Death”
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Until now, research and public attention have limited interest in Edgar Allan Poe to his identity as a horror and detective novelist. In contrast, the fact that Poe wrote “King Pest” and “The Masque of the Red Death” with a significant interest in plague has received relatively little attention. This paper aims to shed light on the plague narrative, which has received relatively little scholarly and popular attention compared to Poe’s horror and detective narratives. In particular, “The Masque of the Red Death” deserves a deeper analysis of its significance because it powerfully depicts very real issues that we need to reflect on during the pandemic, such as the issue of quarantine and the related issues of class and the gap between rich and poor. “The Masque of the Red Death” is deeply symbolic, which opens up even more layers of interpretation when considering its intertextual relationships with other texts. Based on the intertextuality of “The Masque of the Red Death” with Giovanni Boccaccio’s Decameron and William Shakespeare’s The Tempest, in which “The Masque of the Red Death” is intersected and interwoven like seed and warp, this study attempts a deeper reading of “The Masque of the Red Death” during the pandemic.
Abstract
Until now, research and public attention have limited interest in Edgar Allan Poe to his identity as a horror and detective novelist. In contrast, the fact that Poe wrote “King Pest” and “The Masque of the Red Death” with a significant interest in plague has received relatively little attention. This paper aims to shed light on the plague narrative, which has received relatively little scholarly and popular attention compared to Poe’s horror and detective narratives. In particular, “The Masque of the Red Death” deserves a deeper analysis of its significance because it powerfully depicts very real issues that we need to reflect on during the pandemic, such as the issue of quarantine and the related issues of class and the gap between rich and poor. “The Masque of the Red Death” is deeply symbolic, which opens up even more layers of interpretation when considering its intertextual relationships with other texts. Based on the intertextuality of “The Masque of the Red Death” with Giovanni Boccaccio’s Decameron and William Shakespeare’s The Tempest, in which “The Masque of the Red Death” is intersected and interwoven like seed and warp, this study attempts a deeper reading of “The Masque of the Red Death” during the pandemic.
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