Vamping the Stage: Female Voices of Asian Modernities. Edited by Andrew N. Weintraub and Bart Barendregt. Honolulu: University of Hawai‘i Press, 2017
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Vamping the Stage: Female Voices of Asian Modernities is a co-edited volume and the product of the Voices of Asian Modernities (VAMP) project. VAMP represents a series of collaborations between the University of Pittsburg, Leiden University, and the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). VAMP developed through conferences on two continents involving approximately 30 scholars, all gathered to discuss the roles of female popular music performers of Asia. The contributors hail from fields as diverse as film studies, history, musicology, anthropology, and literature, among others. This volume represents a much-need English-language publication on popular music throughout Asia, and particularly the contributions of women to popular cultural developments throughout the region.
Abstract
Vamping the Stage: Female Voices of Asian Modernities is a co-edited volume and the product of the Voices of Asian Modernities (VAMP) project. VAMP represents a series of collaborations between the University of Pittsburg, Leiden University, and the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). VAMP developed through conferences on two continents involving approximately 30 scholars, all gathered to discuss the roles of female popular music performers of Asia. The contributors hail from fields as diverse as film studies, history, musicology, anthropology, and literature, among others. This volume represents a much-need English-language publication on popular music throughout Asia, and particularly the contributions of women to popular cultural developments throughout the region.