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『자비』에서 토니 모리슨의 성적 유머: ‘시그니파잉’의 하부장르, ‘대놓고 말하기’

Toni Morrison's Sexual Humor in A Mercy: Sub-genre of ‘Signifying,’ ‘Loud-talking’ or ‘Louding’

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초록

This study discusses Toni Morrison’s sexual humor in A Mercy in terms of the form and aim of ‘loud-talking’ or ‘louding.’ In the novel, Morrison’s sexual humor is rhetorical. It also is not insulting but humane. In light of this, her sexual humor is a kind of ‘signifying.’ ‘Signifying,’ a term for rhetorical strategies, epitomizes all of the rhetorical play. It is often performed on the basis of a person-to-person dialogue. However, Morrison's dialogue in the sexual humor is not so much that of ‘signifying’ as that of ‘loud-talking’ or ‘louding,’ one of the sub-genes of ‘signifying.’ In ‘loud-talking,’ a signifier says something of someone just loud enough for that person to hear, but indirectly, so he/she cannot properly respond. And the signifier evokes laughter from the audience through his/her humour. In A Mercy, Dorothea and Judith are signifiers. They tell Rebekka's and Patty's sexual secrets loud to those around them. Their sexual humor aims to make listeners laugh. It emphasizes a release of pain and tension, a conduit for community, and a safety valve through laughing.

Abstract

This study discusses Toni Morrison’s sexual humor in A Mercy in terms of the form and aim of ‘loud-talking’ or ‘louding.’ In the novel, Morrison’s sexual humor is rhetorical. It also is not insulting but humane. In light of this, her sexual humor is a kind of ‘signifying.’ ‘Signifying,’ a term for rhetorical strategies, epitomizes all of the rhetorical play. It is often performed on the basis of a person-to-person dialogue. However, Morrison's dialogue in the sexual humor is not so much that of ‘signifying’ as that of ‘loud-talking’ or ‘louding,’ one of the sub-genes of ‘signifying.’ In ‘loud-talking,’ a signifier says something of someone just loud enough for that person to hear, but indirectly, so he/she cannot properly respond. And the signifier evokes laughter from the audience through his/her humour. In A Mercy, Dorothea and Judith are signifiers. They tell Rebekka's and Patty's sexual secrets loud to those around them. Their sexual humor aims to make listeners laugh. It emphasizes a release of pain and tension, a conduit for community, and a safety valve through laughing.

참고문헌 (26)

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  19. Moore, Geneva, "A Demonic Parody: Toni Morriosn's A Mercy", The Southern Literary Journal, 45(1), pp.1~18 (2011)
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  21. Parker, Patricia, "Women, “Race,” And Writing In The Early Modern Period" (1994), Routledge
  22. Rigney, Barbara H., "The Voices of Toni Morrison" (1991), Ohio State UP
  23. Romero, Chanette, "Creating the Beloved Community: Religion, Race, and Nation in Toni Morrison's Paradise", African American Review, 39(3), pp.415~430 (2005)
  24. Roye, Susmita, "Toni Morrison’s Disrupted Girls and Their Disturbed Girlhoods: The Bluest Eyes and A Mercy", Callaloo, 35(1), pp.212~227 (2012)
  25. Strehle, Susan, "I Am a Thing Apart: Toni Morrison, A Mercy, and American Exceptionalism", Critique: Studies in Contemporary Fiction, 54(2), pp.109~123 (2013)
  26. Tafoya, Eddie, "Icons of African American Comedy" (2011), Greenwood

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