『자비』에서 토니 모리슨의 성적 유머: ‘시그니파잉’의 하부장르, ‘대놓고 말하기’
Toni Morrison's Sexual Humor in A Mercy: Sub-genre of ‘Signifying,’ ‘Loud-talking’ or ‘Louding’
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study discusses Toni Morrison’s sexual humor in A Mercy in terms of the form and aim of ‘loud-talking’ or ‘louding.’ In the novel, Morrison’s sexual humor is rhetorical. It also is not insulting but humane. In light of this, her sexual humor is a kind of ‘signifying.’ ‘Signifying,’ a term for rhetorical strategies, epitomizes all of the rhetorical play. It is often performed on the basis of a person-to-person dialogue. However, Morrison's dialogue in the sexual humor is not so much that of ‘signifying’ as that of ‘loud-talking’ or ‘louding,’ one of the sub-genes of ‘signifying.’ In ‘loud-talking,’ a signifier says something of someone just loud enough for that person to hear, but indirectly, so he/she cannot properly respond. And the signifier evokes laughter from the audience through his/her humour. In A Mercy, Dorothea and Judith are signifiers. They tell Rebekka's and Patty's sexual secrets loud to those around them. Their sexual humor aims to make listeners laugh. It emphasizes a release of pain and tension, a conduit for community, and a safety valve through laughing.
Abstract
This study discusses Toni Morrison’s sexual humor in A Mercy in terms of the form and aim of ‘loud-talking’ or ‘louding.’ In the novel, Morrison’s sexual humor is rhetorical. It also is not insulting but humane. In light of this, her sexual humor is a kind of ‘signifying.’ ‘Signifying,’ a term for rhetorical strategies, epitomizes all of the rhetorical play. It is often performed on the basis of a person-to-person dialogue. However, Morrison's dialogue in the sexual humor is not so much that of ‘signifying’ as that of ‘loud-talking’ or ‘louding,’ one of the sub-genes of ‘signifying.’ In ‘loud-talking,’ a signifier says something of someone just loud enough for that person to hear, but indirectly, so he/she cannot properly respond. And the signifier evokes laughter from the audience through his/her humour. In A Mercy, Dorothea and Judith are signifiers. They tell Rebekka's and Patty's sexual secrets loud to those around them. Their sexual humor aims to make listeners laugh. It emphasizes a release of pain and tension, a conduit for community, and a safety valve through laughing.
참고문헌 (26)
- 이영철, "제이콥스, 허스턴, 그리고 모리슨의 ‘시그니파잉’", 현대영미소설, 21(1), pp.325~352 (2014), 한국현대영미소설학회
- Abrahams, Rodger, "Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia" (1970), Aldine Publishing
- Abrahams, Rodger, "Talking Black" (1976), Newbury House
- Babb, Valerie, "E Plunbus Unum? The American Origins Narrative in Toni Morrison’s A Mercy", MELUS, 36(2), pp.147~164 (2011)
- Carpio R. Glenda, "Laughing Fit To Kill: Black Humor in the Fictions of Slavery" (2008), Oxford UP
- "The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African" (2012)[URL]
- Gates, Louis Henry, "The Signifying Monkey: A Theory of African-American Literary Criticism" (1989), Oxford UP
- Gauthier, Marni, "The Other Side of Paradise: Toni Morrison's (Un)Making of Mythic History", African American Review, 39(3), pp.395~414 (2005)
- Harris, Trudier, "Fiction and Folklore: The Novels of Toni Morrison" (1991), U of Tennessee P
- Kanneh, Kadiatu, "New Feminist Discourses", pp.135~153 (1992), Routledge
- Kochman, Thomas, "Rappin’ and Stylin’ Out: Communication in Urban Black America" (1972), U of Illinois P
- Langham, Richard, "The Motives of Eloquence: Literary Rhetoric in the Renaissance" (1976), Yale UP
- Lee, Dorothy H., "Black Women Writers", pp.346~360 (1984), Doubleday
- Morrison, Toni, "A Mercy" (2009), Vintage
- Morrison, Toni, "Conversations with Toni Morrison", pp.10~29 (1994), UP of Mississippi
- Morrison, Toni, "Paradise" (1999), A Plume Book
- Morrison, Toni, "Song of Solomon" (1977), New American Library
- Morrison, Toni, "Sula" (1973), Bantam Books
- Moore, Geneva, "A Demonic Parody: Toni Morriosn's A Mercy", The Southern Literary Journal, 45(1), pp.1~18 (2011)
- Otten, Terry, "The Crime Of Innocence In The Fiction Of Toni Morrison" (1989), U of Missouri P
- Parker, Patricia, "Women, “Race,” And Writing In The Early Modern Period" (1994), Routledge
- Rigney, Barbara H., "The Voices of Toni Morrison" (1991), Ohio State UP
- Romero, Chanette, "Creating the Beloved Community: Religion, Race, and Nation in Toni Morrison's Paradise", African American Review, 39(3), pp.415~430 (2005)
- Roye, Susmita, "Toni Morrison’s Disrupted Girls and Their Disturbed Girlhoods: The Bluest Eyes and A Mercy", Callaloo, 35(1), pp.212~227 (2012)
- Strehle, Susan, "I Am a Thing Apart: Toni Morrison, A Mercy, and American Exceptionalism", Critique: Studies in Contemporary Fiction, 54(2), pp.109~123 (2013)
- Tafoya, Eddie, "Icons of African American Comedy" (2011), Greenwood
