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梨園戱 , 王仁杰 , 曾靜萍 — 地方戱 극종의 성공 사례 연구

Liyuanxi Opera(梨園戱), Wang-Renjia(王仁杰), Zeng-Jingping(曾靜萍)

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Liyuan Opera( 梨園戱 ) is considered to have inherited the tradition of Nanxi ( 南戱 ), and is also regarded as the oldest Chinese local opera with centuries of history. Quanzhou ( 泉州 ), a port city in Fujian ( 福建 ) province where Liyuan Opera was formed and developed, has been the center of international trade and commerce since Song dynasty resulting such performing arts to flourish. On the other hand, Fujian province being relatively cut off geographically and culturally from other parts of China made it possible for Liyuan Opera to develop stably for centuries. Liyuan Opera retains the most traditional Nanxi repertoire and keeps its own distinctive performing conventions of acting and music. In 1954, Fujian Province Liyuan Experimental Troupe( 福建省梨園戱實 驗劇團 ) received huge attention when it participated in the Huadong ( 華 東 ) opera performance festival. Since the 1990s, excellent playwright Wang Renjie ( 王仁杰 ) has created many masterpieces such as <Scholar Dong and Madam Li ( 董生與李氏 )> and <Lament of the Melancholy Widow( 節婦吟 )>, which were performed by the outstanding actress Zeng Jingping ( 曾靜萍 ) who has won “ Meihua Awards( 梅花獎 )” two times. The remarkable success of Liyuan Opera results from performances based on the spirit of “Return to the Tradition and Open up the New( 返本開新 )” which was pursued by playwright Wang Renjie and actress Zeng Jingping . It shows the values and directions that many Chinese local operas should follow.

Abstract

Liyuan Opera( 梨園戱 ) is considered to have inherited the tradition of Nanxi ( 南戱 ), and is also regarded as the oldest Chinese local opera with centuries of history. Quanzhou ( 泉州 ), a port city in Fujian ( 福建 ) province where Liyuan Opera was formed and developed, has been the center of international trade and commerce since Song dynasty resulting such performing arts to flourish. On the other hand, Fujian province being relatively cut off geographically and culturally from other parts of China made it possible for Liyuan Opera to develop stably for centuries. Liyuan Opera retains the most traditional Nanxi repertoire and keeps its own distinctive performing conventions of acting and music. In 1954, Fujian Province Liyuan Experimental Troupe( 福建省梨園戱實 驗劇團 ) received huge attention when it participated in the Huadong ( 華 東 ) opera performance festival. Since the 1990s, excellent playwright Wang Renjie ( 王仁杰 ) has created many masterpieces such as <Scholar Dong and Madam Li ( 董生與李氏 )> and <Lament of the Melancholy Widow( 節婦吟 )>, which were performed by the outstanding actress Zeng Jingping ( 曾靜萍 ) who has won “ Meihua Awards( 梅花獎 )” two times. The remarkable success of Liyuan Opera results from performances based on the spirit of “Return to the Tradition and Open up the New( 返本開新 )” which was pursued by playwright Wang Renjie and actress Zeng Jingping . It shows the values and directions that many Chinese local operas should follow.

참고문헌 (22)

  1. 福建省泉州文化局, "泉州優秀劇作選" (1997), 中國戱劇
  2. 王仁杰, "三畏齋劇稿" (2011), 中國戱劇
  3. 泉州文化局, "荔鏡記荔枝記四種 (全四冊)" (2010), 中國戱劇
  4. 中國戱曲志編輯委員, "中國戱曲志-福建卷" (1993), 文化藝術
  5. 吳捷秋, "梨園戱藝術史論" (1996), 中國戱劇
  6. 吳捷秋, "梨園戱藝術史論 (上下)" (1996), 民俗曲藝
  7. 劉浩然, "泉腔南戱槪述" (1999), 泉南雜誌社
  8. 葉梅, "南戱遺響 – 輕歌曼舞梨園戱" (2005), 海潮攝影藝術
  9. 薛若琳, "返本開新 – 王仁杰劇作硏究論文選" (2012), 文化藝術
  10. 何玉人, "新時期中國戱曲創作槪論" (2005), 文化藝術
  11. 楊榕, "福建戱曲文獻硏究" (2007), 中國戱劇
  12. 莊長江, "泉州戱班" (2006), 福建人民
  13. 王漢民, "福建戱曲海外傳播硏究" (2011), 中國社科學
  14. 劉念玆, "南戱新證" (1986), 中華書局
  15. 王評章, "福建雜劇南戱論集" (2013), 中國戱劇
  16. 王華, "福建南音初探" (1989), 福建人民
  17. 中國文化部藝術司, "2003-2004國家舞臺藝術精品工程論評" (2005), 文化藝術
  18. 王仁杰, "返本開新 - 論戱曲本體的回歸", 上海戱劇 (2016)
  19. 曾靜萍, "把梨園戱的精髓化入血液", 中國戱曲學院學報, 37(4) (2016)
  20. 羅金滿, "頗有特色的梨園七子班", 福建論壇⋅人文社科學版 (2006)
  21. 季國平, "梨園品茶 - 品味曾靜萍", 中國戱劇 (2011)
  22. 吳秀卿, "宋元南戱연구", 박사, 중어중문학, pp.1992

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