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이야기 짓기용 그림에서 문제 상황 묘사의 유무가 이야기 내용의 질과 그림 선호에 미치는 영향

The effect of a critical incidence depicted in a picture in a story writing task on content and picture preference

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참고문헌

키워드

주제분류영어와문학

초록

This study asked whether two picture prompts, one depicting a critical incidence, called ‘losing a cellphone’ and the other without a critical incidence, namely ‘using a cellphone’ made a difference to the content of story writing. The study also investigated which picture students preferred, one with or without a critical incidence. High school students (N = 101) participated in a story writing task where one of the two prompts was assigned to each student. A survey for preference was implemented to 185 high school students. The results show that when stories were composed under time constraint, whether the critical incident was present or absent was not a significant factor in the writers’ creation of better or worse content in writing. However, the critical incidence in the picture might be considered an attractive tool for story writing, promoting writers’ positive attitude to the task.

Abstract

This study asked whether two picture prompts, one depicting a critical incidence, called ‘losing a cellphone’ and the other without a critical incidence, namely ‘using a cellphone’ made a difference to the content of story writing. The study also investigated which picture students preferred, one with or without a critical incidence. High school students (N = 101) participated in a story writing task where one of the two prompts was assigned to each student. A survey for preference was implemented to 185 high school students. The results show that when stories were composed under time constraint, whether the critical incident was present or absent was not a significant factor in the writers’ creation of better or worse content in writing. However, the critical incidence in the picture might be considered an attractive tool for story writing, promoting writers’ positive attitude to the task.

참고문헌 (20)

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  2. 김서희, "창의적 이야기 쓰기용 세 그림기반 과제 유형: 학생 선호와 전문가 견해", 교육평가연구, 28(1), pp.209~235 (2015), 한국교육평가학회
  3. "대구외국어고등학교" (2017)[URL]
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  15. Parsons, M. J., "How we understand art: A cognitive developmental account of aesthetic experience" (1987), Cambridge University Press
  16. Raimes, A., "Techniques in teaching writing" (1983), Oxford University Press
  17. Ramsey, I. L., "An investigation of children’s verbal responses to selected art styles", Journal of Educational Research, 83, pp.46~51 (1989)
  18. Samson, K. M., "The use of the picture potency formula in selecting pictures to stimulate stories", Reading Improvement, 20, pp.146~150 (1983)
  19. Schweizer, M. L., "The effect of content, style, and color of picture prompts on narrative writing: An analysis of fifth and eighth grade students’ writing", doctoral, pp.1999
  20. 서희정, "An Investigation into the Equivalence of Three Pictures for Creative Story Writing: ‘Dog Owners’, ‘Lost Dog’, and ‘Overslept’", 영재교육연구, 26(4), pp.699~719 (2016), 한국영재학회[DOI]

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