Society of Yol-Sang Academy 2022 International Academic Conference - Body and Nature: Feminist ecological consciousness in Ho Xuan Huong's Sino- Nom poetry -
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Ho Xuan Huong is a unique and outstanding Vietnamese female literary phenomenon in medieval time. Her famous poems have attracted the attention of readers and literary researchers all over the world. At the beginning of the twentieth century, the female poet Ho Xuan Huong received a lot of attention from Vietnamese scholars. This paper approaches Ho Xuan Huong’s poetry from perspective of ecofeminism, based on two elements: body and nature. Poetry of Ho Xuan Huong was thoughtfully and profoundly written with “green consciousness” and “green poetic” Christ Barrett (2018), Early Modern English Literature and the Poetics of Cartographic Anxiety, Oxford University Press, p.107. . Firstly, female body was reflected with nature and through nature. Female body is nature and nature is the embodiment of female body. Human and nature are the one and the same in her viewpoint. Moreover, nature is also the sexual desire and expression of human sexuality. Secondly, through the reflection of nature, Ho Xuan Huong expressed a strong voice which protesting against the strict and old-fashioned values of male authority oppressed and dominated women. Nature is a sign that expresses the bodily value of a woman and her desire of freedom. Thirdly, the ecological feminist spirit of Ho Xuan Huong is not only expressed through ideology but also manifested in poetic language. She wrote in “green language” Thomas H. Ford (2018), Wordsworth and the Poetics of Air – Atmospheric Romanticism in a Time of Climate Change, Cambridge University Press, p.6. : the language of nature, of a strong, innocent natural life. Liberal life, associated with the nature of the agricultural community; traditional beliefs such as Lingaism, the worship of Mother Goddesses Ngo Đuc Thinh (2010), Vietnamese Mother Goddesses, Relious Publishing House, Ha Noi, p. 21. and personal creativity of Ho Xuan Huong are important factors forming feminist ecological consciousness in the precious heritage of “the Queen of Nom poetry”
Abstract
Ho Xuan Huong is a unique and outstanding Vietnamese female literary phenomenon in medieval time. Her famous poems have attracted the attention of readers and literary researchers all over the world. At the beginning of the twentieth century, the female poet Ho Xuan Huong received a lot of attention from Vietnamese scholars. This paper approaches Ho Xuan Huong’s poetry from perspective of ecofeminism, based on two elements: body and nature. Poetry of Ho Xuan Huong was thoughtfully and profoundly written with “green consciousness” and “green poetic” Christ Barrett (2018), Early Modern English Literature and the Poetics of Cartographic Anxiety, Oxford University Press, p.107. . Firstly, female body was reflected with nature and through nature. Female body is nature and nature is the embodiment of female body. Human and nature are the one and the same in her viewpoint. Moreover, nature is also the sexual desire and expression of human sexuality. Secondly, through the reflection of nature, Ho Xuan Huong expressed a strong voice which protesting against the strict and old-fashioned values of male authority oppressed and dominated women. Nature is a sign that expresses the bodily value of a woman and her desire of freedom. Thirdly, the ecological feminist spirit of Ho Xuan Huong is not only expressed through ideology but also manifested in poetic language. She wrote in “green language” Thomas H. Ford (2018), Wordsworth and the Poetics of Air – Atmospheric Romanticism in a Time of Climate Change, Cambridge University Press, p.6. : the language of nature, of a strong, innocent natural life. Liberal life, associated with the nature of the agricultural community; traditional beliefs such as Lingaism, the worship of Mother Goddesses Ngo Đuc Thinh (2010), Vietnamese Mother Goddesses, Relious Publishing House, Ha Noi, p. 21. and personal creativity of Ho Xuan Huong are important factors forming feminist ecological consciousness in the precious heritage of “the Queen of Nom poetry”
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